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Untitled (blue) - Signed Print by Bridget Riley 1978 - MyArtBroker

Untitled (blue)
Signed Print

Bridget Riley

£6,500-£9,500Value Indicator

$13,500-$19,000 Value Indicator

$12,000-$17,000 Value Indicator

¥60,000-¥90,000 Value Indicator

€7,500-€11,000 Value Indicator

$70,000-$100,000 Value Indicator

¥1,290,000-¥1,880,000 Value Indicator

$8,500-$13,000 Value Indicator

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57 x 84cm, Edition of 75, Screenprint

Medium: Screenprint

Edition size: 75

Year: 1978

Size: H 57cm x W 84cm

Signed: Yes

Format: Signed Print

Last Auction: April 2024

Value Trend:

1% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
April 2024
Brunk Auctions
United States
$7,500
$9,000
$11,000
August 2022
Duggleby Stephenson (of York)
United Kingdom
February 2021
Rago
United States
June 2020
Bonhams Knightsbridge
United Kingdom
June 2020
Sworders
United Kingdom
June 2018
Bonhams New Bond Street
United Kingdom
April 2010
Christie's New York
United States
MyPortfolio
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Track auction value trend

The value of Bridget Riley's Untitled (blue) (signed), a screenprint from 1978, is estimated to be worth between £6,500 and £9,500. This artwork has shown consistent value growth, with an average annual growth rate of 2%. This work has an auction history of 12 total sales since its entry to the market in May 2005. In the last 12 months, the hammer price has ranged from £5,778 in February 2021 to £9,000 in August 2022. The average annual growth rate of this work is 2% and it is part of a limited edition of 75.

Created with Highcharts 11.4.8Apr 2010Aug 2012Dec 2014Apr 2017Aug 2019Dec 2021Apr 2024$5,000$6,000$7,000$8,000$9,000$10,000$11,000$12,000© MyArtBroker

Meaning & Analysis

Untitled (blue) features Riley's Waves motif. Lines ripple vertically down the canvas in hues that change at alternating lengths. Despite using just three colours, they merge and bounce off each other, creating a rainbow of varying hues. Each colour choice persists for one and a half wave lengths before merging into a new colour. Whilst viewing Untitled (blue) from a distance, the different shades are perfectly separate and recognisable. Yet, from a distance, they overlap and fuse together. This impression, combined with the evocation of movement within the lines, create mesmerising optical effects, from which the term Op Art takes its name.

The individual components of the canvas are not registered by the viewer. Instead, the work is viewed as a whole ‘field’ in which the resulting visual effect is created by an awareness of all the varying parts of the painting at the same time.

  • Bridget Riley, a leading figure in the British Op-Art movement, has captivated audiences with her abstract paintings and prints that challenge visual perception. Born in London, 1931, Riley’s artistic journey evolved from semi-Impressionist beginnings to geometric mastery, significantly influencing modern art. Her groundbreaking artworks, from Movement In Squares to the vibrant Stripes series, explore optical phenomena and colour dynamics, creating mesmerising, dizzying effects. With a prolific career spanning over seven decades, Riley’s innovative designs and perceptual disruptions continue to shape contemporary British art, solidifying her enduring influence in the realm of abstract and modern art.

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