Untitled (Rose)
Untitled (Rose)
Signed Print
Bridget Riley
£9,500-£14,000
$19,000-$28,000 Value Indicator
$17,000-$25,000 Value Indicator
¥90,000-¥130,000 Value Indicator
€11,500-€17,000 Value Indicator
$90,000-$140,000 Value Indicator
¥1,870,000-¥2,750,000 Value Indicator
$12,000-$18,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Screenprint
Edition size: 75
Year: 1978
Size: H 68cm x W 95cm
Signed: Yes
Format: Signed Print
TradingFloor
Track this artwork in realtime
Watch artwork, manage valuations, track your portfolio and return against your collection
Track auction value trend
Auction Results
| Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| January 2024 | Phillips London | United Kingdom | |||
| July 2020 | Sotheby's London | United Kingdom | |||
| June 2020 | Bonhams Knightsbridge | United Kingdom | |||
| May 2017 | Sworders | United Kingdom | |||
| July 2016 | Brunk Auctions | United States | |||
| November 2007 | Swann Galleries | United States | |||
| May 2005 | Christie's London | United Kingdom |
Meaning & Analysis
Untitled (Rose) is a signed screen print in colours produced by Op artist Bridget Riley in 1978. The print shows a composition of coloured waved lines. Light pink, blue, orange and yellow dominate the composition and the intricate pattern of coloured lines captures the essence of Riley’s artistic style which is characterised by simplicity and an interest in geometric shapes and patterns. The use of waved lines in this composition creates a sense of movement, making this print seem like an optical illusion.
The print belongs to the Waves collection which Riley worked on in the 1970s and 1980s. The collection is composed of artworks which all depict patterns of waved lines which evoke a sense of undulating movement. Riley is also known for her Stripes collection in which she produces works based on vertical and horizontal lines rendered in bright colours. Unlike the Stripes collection, in the Waves collection, the colours Riley employs are less pure. The artist opts for a selection of mixed hues instead of block colours in order to experiment with tone and how this affects perception.
The term Op Art, short for ‘optical art’ can be used to describe this print. The term refers to the way in which certain patterns of shapes and colours can produce the sensation of movement. This collection also showcases Riley’s interest in colour which was influenced by renowned artists such as Georges Seurat and Henri Matisse.
