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Untitled (Rose) - Signed Print by Bridget Riley 1978 - MyArtBroker

Untitled (Rose)
Signed Print

Bridget Riley

£9,000-£14,000Value Indicator

$18,000-$29,000 Value Indicator

$17,000-$26,000 Value Indicator

¥90,000-¥130,000 Value Indicator

€10,500-€16,000 Value Indicator

$90,000-$150,000 Value Indicator

¥1,790,000-¥2,780,000 Value Indicator

$12,000-$19,000 Value Indicator

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68 x 95cm, Edition of 75, Screenprint

Medium: Screenprint

Edition size: 75

Year: 1978

Size: H 68cm x W 95cm

Signed: Yes

Format: Signed Print

Last Auction: January 2024

Value Trend:

10% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
January 2024
Phillips London
United Kingdom
$12,000
$14,000
$18,000
July 2020
Sotheby's London
United Kingdom
June 2020
Bonhams Knightsbridge
United Kingdom
May 2017
Sworders
United Kingdom
July 2016
Brunk Auctions
United States
November 2007
Swann Galleries
United States
May 2005
Christie's London
United Kingdom
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Track auction value trend

Bridget Riley's Untitled (Rose) is a signed screenprint from 1978, estimated to be worth between £9,000 and £14,000. This artwork has shown consistent value growth, with an auction history of 8 total sales since its entry to the market in May 2001. The hammer price in the last 12 months has remained consistent at £11,000. The annual average growth rate of this work is 10% and the edition size is limited to 75.

Created with Highcharts 11.4.8May 2005Jun 2008Aug 2011Sep 2014Oct 2017Dec 2020Jan 2024$10,000$12,000$14,000$16,000$18,000$20,000© MyArtBroker

Meaning & Analysis

The print belongs to the Waves collection which Riley worked on in the 1970s and 1980s. The collection is composed of artworks which all depict patterns of waved lines which evoke a sense of undulating movement. Riley is also known for her Stripes collection in which she produces works based on vertical and horizontal lines rendered in bright colours. Unlike the Stripes collection, in the Waves collection, the colours Riley employs are less pure. The artist opts for a selection of mixed hues instead of block colours in order to experiment with tone and how this affects perception.

The term Op Art, short for ‘optical art’ can be used to describe this print. The term refers to the way in which certain patterns of shapes and colours can produce the sensation of movement. This collection also showcases Riley’s interest in colour which was influenced by renowned artists such as Georges Seurat and Henri Matisse.