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Untitled (Rose) - Signed Print by Bridget Riley 1978 - MyArtBroker

Untitled (Rose)
Signed Print

Bridget Riley

£9,500-£14,000Value Indicator

$20,000-$29,000 Value Indicator

$18,000-$26,000 Value Indicator

¥90,000-¥140,000 Value Indicator

11,000-16,000 Value Indicator

$100,000-$150,000 Value Indicator

¥1,860,000-¥2,740,000 Value Indicator

$13,000-$19,000 Value Indicator

10% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Medium: Screenprint

Edition size: 75

Year: 1978

Size: H 68cm x W 95cm

Signed: Yes

Format: Signed Print

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Track auction value trend

The value of Bridget Riley’s Untitled (Rose) (signed) is estimated to be worth between £9,500 and £14,000. This screenprint, created in 1978, has shown consistent value growth, with an average annual growth rate of 10%. This work has an auction history of eight total sales since its entry to the market on 9th May 2001. In the last 12 months, the hammer price has been £11,000, which was achieved in January 2024. Over the past five years, the hammer price has ranged from £11,000 in January 2024 to £11,000 in January 2024. The average return to the seller for this piece is £9,350. The edition size of this artwork is limited to 75.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
January 2024Phillips London United Kingdom
July 2020Sotheby's London United Kingdom
June 2020Bonhams Knightsbridge United Kingdom
May 2017Sworders United Kingdom
July 2016Brunk Auctions United States
November 2007Swann Galleries United States
May 2005Christie's London United Kingdom

Meaning & Analysis

The print belongs to the Waves collection which Riley worked on in the 1970s and 1980s. The collection is composed of artworks which all depict patterns of waved lines which evoke a sense of undulating movement. Riley is also known for her Stripes collection in which she produces works based on vertical and horizontal lines rendered in bright colours. Unlike the Stripes collection, in the Waves collection, the colours Riley employs are less pure. The artist opts for a selection of mixed hues instead of block colours in order to experiment with tone and how this affects perception.

The term Op Art, short for ‘optical art’ can be used to describe this print. The term refers to the way in which certain patterns of shapes and colours can produce the sensation of movement. This collection also showcases Riley’s interest in colour which was influenced by renowned artists such as Georges Seurat and Henri Matisse.

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