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Untitled (Evoe) - Signed Print by Bridget Riley 2003 - MyArtBroker

Untitled (Evoe)
Signed Print

Bridget Riley

£12,000-£18,000Value Indicator

$25,000-$35,000 Value Indicator

$22,000-$35,000 Value Indicator

¥120,000-¥170,000 Value Indicator

€14,000-€21,000 Value Indicator

$130,000-$190,000 Value Indicator

¥2,380,000-¥3,570,000 Value Indicator

$16,000-$24,000 Value Indicator

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

28 x 84cm, Edition of 75, Screenprint

Medium: Screenprint

Edition size: 75

Year: 2003

Size: H 28cm x W 84cm

Signed: Yes

Format: Signed Print

Last Auction: March 2023

Value Trend:

26% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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1 in network
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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
March 2023
Christie's Amsterdam
Netherlands
$7,500
$9,000
$9,000
May 2021
Christie's Paris
France
April 2013
Lyon & Turnbull Edinburgh
United Kingdom
December 2009
Koller Zurich
Switzerland
October 2009
Christie's New York
United States
October 2005
Christie's London
United Kingdom
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Track auction value trend

The value of Bridget Riley's Untitled (Evoe) (signed) is estimated to be worth between £12,000 and £18,000. This screenprint, created in 2003, has shown consistent value growth, with an average annual growth rate of 21%. This work has an auction history of six total sales since its entry to the market on 5th October 2005. In the last 12 months, there have been no sales. In the last five years, the hammer price has ranged from £7,364 in May 2021 to £7,453 in March 2023. The average annual growth rate of this work is 26% and it is part of a limited edition of 75.

Created with Highcharts 11.4.8Oct 2005Sep 2008Aug 2011Jun 2014May 2017Apr 2020Mar 2023$5,000$6,000$7,000$8,000$9,000$10,000© MyArtBroker

Meaning & Analysis

Like the other works in this series, Untitled (Evoe) is structured on a diagonal grid. This underlying structure gives the composition a forward movement that is tempered by the soft lines of the curved forms. The basic building blocks for these curvilinear works are serpentine segments in solid blocks of colour, which are of varying size. The complex structure of the print makes it seem as if each colour in turn alternately becomes the figure and ground.

The suggested title of the artwork, Evoe, was a cry associated with the intoxicated rites of the Greek god of wine and fertility, Bacchus.

  • Bridget Riley, a leading figure in the British Op-Art movement, has captivated audiences with her abstract paintings and prints that challenge visual perception. Born in London, 1931, Riley’s artistic journey evolved from semi-Impressionist beginnings to geometric mastery, significantly influencing modern art. Her groundbreaking artworks, from Movement In Squares to the vibrant Stripes series, explore optical phenomena and colour dynamics, creating mesmerising, dizzying effects. With a prolific career spanning over seven decades, Riley’s innovative designs and perceptual disruptions continue to shape contemporary British art, solidifying her enduring influence in the realm of abstract and modern art.

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