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La Lune En Rodage - Signed Print by Bridget Riley 1965 - MyArtBroker

La Lune En Rodage
Signed Print

Bridget Riley

£11,500-£17,000Value Indicator

$24,000-$35,000 Value Indicator

$21,000-$30,000 Value Indicator

¥110,000-¥160,000 Value Indicator

€13,500-€20,000 Value Indicator

$120,000-$180,000 Value Indicator

¥2,300,000-¥3,390,000 Value Indicator

$15,000-$23,000 Value Indicator

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30 x 29cm, Edition of 200, Screenprint

Medium: Screenprint

Edition size: 200

Year: 1965

Size: H 30cm x W 29cm

Signed: Yes

Format: Signed Print

Last Auction: November 2024

Value Trend:

8% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
November 2024
Grisebach
Germany
£10,760
£12,659
£16,710
June 2024
Sotheby's Online
United Kingdom
December 2023
Bonhams New Bond Street
United Kingdom
June 2023
Phillips London
United Kingdom
March 2023
Sotheby's Online
United Kingdom
September 2022
Sotheby's London
United Kingdom
March 2022
Sotheby's London
United Kingdom
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Track auction value trend

Bridget Riley's La Lune En Rodage, a signed screenprint from 1965, is estimated to be worth between £11,500 and £17,000. This artwork has shown consistent value growth, with an annual average growth rate of 8%. Over the past 12 months, the hammer price has ranged from £7,500 in December 2020 to £20,000 in March 2021. This piece is popular among collectors, having been sold 32 times at auction since its entry to the market in December 2012. The edition size of this artwork is limited to 200.

Created with Highcharts 11.4.8Mar 2022Aug 2022Feb 2023Jul 2023Dec 2023Jun 2024Nov 2024£10,000£11,000£12,000£13,000£14,000£15,000£16,000£17,000£18,000© MyArtBroker

Meaning & Analysis

Enacted with geometrical precision, Riley creates compelling visual effects that play with one’s vision and implore the viewer to question what they are looking at. During her career, Riley has experimented with simple, structural units in varying configurations, to explore the physical and psychological responses of the eyes. Throughout this, Riley’s artistic motivation has remained the same: to interrogate what and how we see things. La Lune En Rodage is, if anything, abundantly aware of being nothing more than the geometry of the paper’s flat surface.

Executed in 1965, this work is from a critical period in Riley’s decades-long career. Following the artist’s inclusion in The Responsive Eye, an exhibition at the Museum of Modern Art in New York, Riley gained international acclaim for exclusively monochromatic works that played optical tricks on the eye: of which La Lune En Rodage is a prime example.