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Green Dominance, Blue Dominance, Red Dominance - Signed Print by Bridget Riley 1977 - MyArtBroker

Green Dominance, Blue Dominance, Red Dominance
Signed Print

Bridget Riley

£60,000-£100,000Value Indicator

$130,000-$210,000 Value Indicator

$110,000-$180,000 Value Indicator

¥590,000-¥980,000 Value Indicator

70,000-120,000 Value Indicator

$640,000-$1,070,000 Value Indicator

¥11,740,000-¥19,570,000 Value Indicator

$80,000-$140,000 Value Indicator

36% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Medium: Screenprint

Edition size: 100

Year: 1977

Size: H 38cm x W 86cm

Signed: Yes

Format: Signed Print

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Bridget Riley's Green Dominance, Blue Dominance, Red Dominance (signed) from 1977 is a rare screenprint with an estimated value of £60,000 to £100,000. This artwork has shown consistent value growth and has an auction history of four total sales since its entry to the market on 7th November 2001. The annual average growth rate is 3% and the edition size of this piece is limited to 100.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
April 2023Leslie Hindman Auctioneers, Chicago United States
June 2020Van Ham Fine Art Auctions Germany
December 2016Forum Auctions London United Kingdom
October 2006Bonhams New Bond Street United Kingdom
November 2001Doyle Auctioneers & Appraisers United States

Meaning & Analysis

Colours, their intensity and tonality, is relational and comparative: dependent on which other colours are placed in close proximity. Such effects are also dependent on how the eyes and brain perceive the visual phenomena. Thus, each individual will witness the three prints constituting this work differently, based on their subjective viewing experience. Placed side by side in this print, such effects of varying intensity and tonality are made apparent.

Despite this, Riley’s works are not intended to be merely eye tests. Rather, they are explorations into the potential of colour, line and form, to impact and affect people. The viewer’s eyes are left dancing whilst scanning the various colour combinations.

The width of the lines constituting Green Dominance, Blue Dominance, Red Dominance decrease and increase at varying points, creating the illusion that they are bending away from and towards the viewer in a rippling motion: such visual effects are emblematic of Riley’s work, making them instantly recognisable.