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Start - Signed Print by Bridget Riley 2000 - MyArtBroker

Start
Signed Print

Bridget Riley

£5,000-£7,500Value Indicator

$10,500-$15,000 Value Indicator

$9,500-$14,000 Value Indicator

¥50,000-¥70,000 Value Indicator

€6,000-€8,500 Value Indicator

$50,000-$80,000 Value Indicator

¥990,000-¥1,490,000 Value Indicator

$7,000-$10,000 Value Indicator

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34 x 37cm, Edition of 200, Screenprint

Medium: Screenprint

Edition size: 200

Year: 2000

Size: H 34cm x W 37cm

Signed: Yes

Format: Signed Print

Last Auction: December 2024

Value Trend:

28% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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5 in network
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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
December 2024
Bonhams Knightsbridge
United Kingdom
£4,250
£5,000
£6,400
July 2024
Chiswick Auctions
United Kingdom
June 2024
Germann Auctions
Switzerland
December 2023
Neumeister
Germany
August 2023
Bonhams Australia, Sydney
Australia
February 2023
Bearnes Hampton & Littlewood
United Kingdom
June 2022
Germann Auctions
Switzerland
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Bridget Riley's Start, a signed screenprint from 2000, is estimated to be valued between £5,000 and £7,500. This artwork has shown consistent value growth, with an average annual growth rate of 23%. This work has an impressive auction history, having been sold 18 times at auction since its initial sale on 3rd June 2004. In the last 12 months, the average selling price was £5,679 across 2 sales. Over the past five years, the hammer price has ranged from £3,175 in September 2020 to £7,672 in August 2023. The average annual growth rate of this work is 23%. The edition size of this artwork is limited to 200.

Created with Highcharts 11.4.8Jun 2022Nov 2022Apr 2023Sep 2023Feb 2024Jul 2024Dec 2024£3,500£4,000£4,500£5,000£5,500£6,000£6,500© MyArtBroker

Meaning & Analysis

Start is composed of sweeping, serpentine shapes in three vibrant colours, as well as white and a light grey tone: a chromatic intermediary between white and black. The interlocking forms are redolent of movement or the undulations of the natural world. Although consistently abstract, Riley’s works remain grounded in natural experiences, predominantly from her adolescence spent in Cornwall. Riley confesses that the ever-changing Cornish seas and skies stimulated her vision, the sensations of which she seeks to recreate in non-representational painting.

Riley regards colour as capable of eliciting emotional responses in the observer. Hence, the artist revels in exploring the visual and emotional effects of certain colour combinations, and Start is no exception. Moreover, colour is declaratively interactive within Riley’s work: each hue appears to change in pitch and tone depending on its neighbours. Far removed from Riley’s monochromatic origins in the 1960s, Riley’s Lozenges series sees the abstract artist at her most confident with colour.

  • Bridget Riley, a leading figure in the British Op-Art movement, has captivated audiences with her abstract paintings and prints that challenge visual perception. Born in London, 1931, Riley’s artistic journey evolved from semi-Impressionist beginnings to geometric mastery, significantly influencing modern art. Her groundbreaking artworks, from Movement In Squares to the vibrant Stripes series, explore optical phenomena and colour dynamics, creating mesmerising, dizzying effects. With a prolific career spanning over seven decades, Riley’s innovative designs and perceptual disruptions continue to shape contemporary British art, solidifying her enduring influence in the realm of abstract and modern art.

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Bridget Riley, Start, 2000

Start (2000), a signed screen print by Bridget Riley, was released in an edition of 200. In accordance with Riley’s Lozenges series, sweeping, organic shapes undulate in a movement inspired by nature. Its palette comprises analogous colours—green, blue and yellow—interspersed with white and grey.

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