Silvered 2
Silvered 2
Signed Print
Bridget Riley
£18,000-£27,000
$35,000-$50,000 Value Indicator
$30,000-$50,000 Value Indicator
¥160,000-¥240,000 Value Indicator
€21,000-€30,000 Value Indicator
$170,000-$260,000 Value Indicator
¥3,450,000-¥5,180,000 Value Indicator
$22,000-$35,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Screenprint
Edition size: 75
Year: 1981
Size: H 86cm x W 76cm
Signed: Yes
Format: Signed Print
TradingFloor
Track this artwork in realtime
Watch artwork, manage valuations, track your portfolio and return against your collection
Track auction value trend
Auction Results
| Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| March 2024 | John Moran Auctioneers | United States | |||
| October 2023 | Sworders | United Kingdom | |||
| February 2013 | Bonhams Knightsbridge | United Kingdom | |||
| February 2013 | Bonhams Knightsbridge | United Kingdom | |||
| February 2013 | Bonhams Knightsbridge | United Kingdom | |||
| February 2013 | Bonhams Knightsbridge | United Kingdom |
Meaning & Analysis
Silvered 2 (1981) by Bridget Riley was released in a signed edition of 75 screen prints. Black and white stripes at intervals provide a base rhythm around which colour is orchestrated. Riley’s dominant motif through the 1980s, Stripes epitomise her art’s musical conception—dependent on compositional rhythms and colour ‘harmonies’.
Using just six colours in Silvered 2, black stripes appear at semi-regular intervals, to contain and break the orchestrated, horizontal colour development. White is also used as both ‘pauses and clearances’: accentuating the accents of the other hues. Riley’s work is musical and rhythmic in conception, with the artist perceiving harmonious relationships existing between the corresponding colours.
The introduction of the stripe motif in 1980 saw the inclusion of another structural element in Riley’s work, through which she was able to investigate colour in new ways. Regular stripes, being a constrained form of art, provides a strong interaction between adjacent colours: the entire vertical edge between the two stripes is an interface between the two colour fields. Thus, they permitted Riley to explore even further the optical and emotive effects of colour and varying combinations. For Riley, these works, Silvered 2 included, represent a carefully constructed optimisation of the sequence of colours.
