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Bagatelle 3 - Signed Print by Bridget Riley 2015 - MyArtBroker

Bagatelle 3
Signed Print

Bridget Riley

£8,500-£12,500Value Indicator

$17,000-$26,000 Value Indicator

$16,000-$23,000 Value Indicator

¥80,000-¥120,000 Value Indicator

€10,000-€14,500 Value Indicator

$90,000-$130,000 Value Indicator

¥1,690,000-¥2,480,000 Value Indicator

$11,500-$17,000 Value Indicator

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67 x 59cm, Edition of 75, Screenprint

Medium: Screenprint

Edition size: 75

Year: 2015

Size: H 67cm x W 59cm

Signed: Yes

Format: Signed Print

Last Auction: April 2025

Value Trend:

3% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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4 in network
6 want this
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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
April 2025
Christie's London
United Kingdom
$10,000
$11,500
$14,500
December 2024
Forum Auctions London
United Kingdom
October 2024
Forum Auctions London
United Kingdom
September 2024
Phillips London
United Kingdom
September 2020
Christie's London
United Kingdom
September 2020
Sotheby's London
United Kingdom
June 2020
Tate Ward Auctions
United Kingdom
MyPortfolio
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Track auction value trend

The value of Bridget Riley's Bagatelle 3 (signed) is estimated to be worth between £8,500 and £12,500. This screenprint, created in 2015, has shown consistent value growth, with an average annual growth rate of 3%. This work has a strong auction history, having been sold 10 times at auction since its initial sale on 18th December 2018. In the last 12 months, the average selling price was £8,050, with a total of 4 works sold. Over the past five years, the hammer price has ranged from £5,000 in September 2020 to £9,000 in April 2025. The average return to the seller over this period was £6,043. The edition size of this artwork is limited to 75.

Created with Highcharts 11.4.8Jun 2020Apr 2021Jan 2022Nov 2022Sep 2023Jun 2024Apr 2025$8,000$9,000$10,000$11,000$12,000$13,000$14,000$15,000© MyArtBroker

Meaning & Analysis

This optically dazzling print references many concepts that underpinned Riley’s hugely successful art of the 1960s, initially propelling her to fame. Demonstrating Riley’s firm commitment to non-representational painting, the simple forms deconstruct as the viewer’s eye passes over them, placing the subjectivities inherent to the spectatorship of art at the fore. Indeed, the subjective experience of each viewer when regarding a painting was a fundamental step in the creative process, according to Riley. This series of prints is significant in Riley’s oeuvre, representing a final body of monochrome work before the artist began to integrate colour into her practice.

  • Bridget Riley, a leading figure in the British Op-Art movement, has captivated audiences with her abstract paintings and prints that challenge visual perception. Born in London, 1931, Riley’s artistic journey evolved from semi-Impressionist beginnings to geometric mastery, significantly influencing modern art. Her groundbreaking artworks, from Movement In Squares to the vibrant Stripes series, explore optical phenomena and colour dynamics, creating mesmerising, dizzying effects. With a prolific career spanning over seven decades, Riley’s innovative designs and perceptual disruptions continue to shape contemporary British art, solidifying her enduring influence in the realm of abstract and modern art.

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