David Hockney Print Market Investments © MyArtBroker
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David Hockney?

David Hockney
653 works
David Hockney’s print market is both broad and tiered, spanning early etchings and lithographs through to later digital and iPad-driven editions. This range produces a deep base of repeat trading across accessible works, alongside a smaller layer of exceptional, tightly held prints that continue to command premium pricing when they surface.
This structure contributes to clearly observable patterns within Hockney’s print market. Liquidity is sustained through frequent turnover in widely collected series, while value leadership is shaped by a narrower set of high-impact works and complete sets. Certain motifs – pools, Yorkshire landscapes, interiors, and colour-driven compositions – resonate consistently across generations of collectors, supporting pricing continuity across cycles.
Given the breadth of Hockney’s print output and the range of materials and techniques used across different periods, execution quality and preservation materially influence where individual works sit within the market’s internal hierarchy.
Hockney’s print market performance over the past five years has been shaped less by changes in participation and more by what has entered circulation. Transaction volume has remained broadly consistent, while fluctuations in total sales value reflect shifts in the quality, structure, and concentration of supply.
The most pronounced peak occurred in 2023, when both sales value and volume reached their highest levels. This was driven by the appearance of high-value complete sets, including A Rake’s Progress and Dog Wall, which materially reweighted annual totals without altering the underlying depth of the market.
In 2024, sales value fell sharply while volume declined more moderately. The absence of comparable set-level material meant that trading activity was sustained by core series, but without works capable of anchoring top-end outcomes.
By 2025, the market reached a new record in total sales value under materially different conditions. Performance was driven by a concentrated release of Arrival of Spring works from a single owner, with value growth achieved at the individual-print level rather than through portfolio-scale supply.
Following events of this nature, it is typical to see price variation across a collection as the market digests new benchmarks. Early auction results in 2026 show that Arrival of Spring works are still finding buyers, indicating that the series continues to trade as the market adjusts to higher price levels. For a deeper breakdown of edition structure, pricing behaviour, and recent results, see our Arrival of Spring market report.
Yearly average values in Hockney’s print market are driven primarily by distribution across price tiers, not by sudden contractions in demand.
Over time, average values have trended upward as higher-value works have appeared more regularly. However, short-term movements closely track market composition. When supply broadens – through accessible editions, digital works, or widely held series – average prices can soften even as participation remains strong.
This was visible in 2024, when a larger share of lower- and mid-tier material entered the market, pulling averages down despite healthy transaction levels.
In 2025, average values rose sharply as pricing strength concentrated in a narrow group of highly recognisable digital iPad works. Importantly, this uplift occurred without a contraction in volume and without reliance on complete sets, indicating that price strength emerged from selective demand rather than scarcity alone.
Early 2026 data shows continued activity concentrated in lower and mid-price tiers, suggesting broad participation remains intact while higher-value benchmarks established in 2025 continue to settle.
Hockney’s broader print market is supported by a wide range of collections that trade regularly and remain comparatively accessible. Portraits, depictions of friends and lovers, interiors and exteriors, weather and nature, and works produced using experimental processes such as fax and photographic transfer continue to form an important part of this ecosystem.
While these collections sit below Hockney’s headline series in value terms, they play an important structural role. They trade consistently, attract repeat demand, and provide exposure to key periods of Hockney’s practice without the pricing sensitivity associated with his most tightly held works. Their performance supports liquidity and pricing continuity across market cycles rather than driving episodic value spikes.
These works are also less exposed to sharp repricing events. Value formation is shaped by recognisability, condition, and execution rather than scarcity-led competition, reinforcing their role in sustaining participation across the secondary market.
Investor demand in Hockney’s market remains concentrated around a specific series where pricing authority is well established.
The Arrival of Spring continues to dominate investor interest. Produced in editions of 10 and 25, larger-format edition 10 works have historically commanded the highest prices. In 2025, however, results for edition 25 met – and in some cases surpassed – those benchmarks, signalling intensified competition across the series as a whole. Despite their visibility, availability remains structurally limited.
Swimming Pools works remain highly sought after, underpinned by their status as Hockney’s most recognisable motif. Demand spans multiple formats and colourways, with pricing divergence driven by scale, execution, and proof type rather than image familiarity alone.
Growing attention is also turning toward Moving Focus, particularly among investors drawn to works that foreground Hockney’s exploration of perspective and spatial construction. While values remain mid-market, this segment is increasingly viewed as one where pricing is still adjusting rather than fully established.
In our latest Collections Report, The Arrival of Spring, Swimming Pools, and Moving Focus rank at the top end of our confidence framework, reflecting their combined strength across pricing authority, market depth, and sustained demand.
Across the major blue-chip print markets, Hockney occupies a middle position between scale-driven and sentiment-led models. Unlike Banksy, where average values have expanded and contracted sharply in response to sentiment, Hockney’s pricing has adjusted through more gradual repricing phases, with periods of consolidation rather than abrupt correction.
The contrast with Andy Warhol is structural. Warhol’s higher average values are consistently supported by the sale of complete sets, which periodically lift market-wide averages through composition rather than individual print performance. Hockney’s market does not rely on this mechanism; pricing advances are driven by demand concentrating around specific images and series.
Relative to Keith Haring and Roy Lichtenstein, Hockney shows stronger upward pressure on average value during peak years. This is not the result of supply contraction or set-driven scale, but of sustained competition for a narrow group of highly recognisable works.
Taken together, the chart positions Hockney as a market where pricing advances are slower to form but more durable once established. Average values reset through selective repricing rather than cyclical swings, reinforcing Hockney’s role as a structurally stable blue chip print market rather than a momentum-led trade.
Hockney’s print market strength in 2025 was not broad-based inflation. It was the result of highly concentrated demand for a single, recognisable body of work: The Arrival of Spring. Value leadership was confined to a narrow group of works, while the rest of the market continued to trade at established levels. This allowed the market to absorb record prices without destabilising liquidity elsewhere.
At the same time, transaction activity remained healthy across widely held series. This combination – strong turnover in the lower and mid tiers, paired with exceptional outcomes at the top – explains why 2025 was a record year without the signs of excess that often follow peak performance.
Structurally, this shows a market that can separate participation from price leadership. Premium results do not force supply, and liquidity does not depend on constant top-tier release. Value advances selectively, while the broader market continues to trade with stability.
This guide is intended for informational and research purposes only and does not constitute investment advice. All analysis and commentary reflect MyArtBroker’s interpretation of historical and current market data at the time of writing. As market conditions evolve, our views and analysis may change. Individual artworks and editions can perform differently depending on factors such as condition, provenance, timing, and market context. Readers are encouraged to conduct their own research and consult with a specialist before making any acquisition or sale decisions.