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Serpentine - Signed Print by Bridget Riley 1999 - MyArtBroker

Serpentine
Signed Print

Bridget Riley

£8,000-£12,000Value Indicator

$17,000-$25,000 Value Indicator

$15,000-$22,000 Value Indicator

¥80,000-¥120,000 Value Indicator

€9,500-€14,000 Value Indicator

$90,000-$130,000 Value Indicator

¥1,590,000-¥2,390,000 Value Indicator

$11,000-$16,000 Value Indicator

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25 x 25cm, Edition of 200, Screenprint

Medium: Screenprint

Edition size: 200

Year: 1999

Size: H 25cm x W 25cm

Signed: Yes

Format: Signed Print

Last Auction: March 2023

Value Trend:

8% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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10 in network
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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
March 2023
Bonhams New Bond Street
United Kingdom
$9,000
$10,500
$13,500
February 2023
Bearnes Hampton & Littlewood
United Kingdom
September 2022
Sotheby's Online
United Kingdom
October 2021
Sworders
United Kingdom
September 2020
Sotheby's London
United Kingdom
December 2019
Bonhams New Bond Street
United Kingdom
June 2019
Bonhams New Bond Street
United Kingdom
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Track auction value trend

Bridget Riley's Serpentine, a signed screenprint from 1999, is estimated to be worth between £8,000 and £12,000. This artwork has shown consistent value growth, with an average annual growth rate of 8%. There have been 15 total sales since its entry to the market in April 2012. The hammer price in the last 12 months has ranged from £5,952 in September 2020 to £9,576 in September 2022. The average annual growth rate of this work is 8% and the edition size is limited to 200.

Created with Highcharts 11.4.8Jun 2019Jan 2020Sep 2020Apr 2021Dec 2021Jul 2022Mar 2023$7,000$8,000$9,000$10,000$11,000$12,000$13,000$14,000© MyArtBroker

Meaning & Analysis

Despite being the result of meticulous planning, Riley’s striped works are full of movement as the colours merge and separate. The sensations induced by Riley’s optically challenging fields of lines are energetic, whilst the sequencing of colours is methodical and disordered in equal measure.

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