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89 x 61cm, Edition of 75, Screenprint
Medium: Screenprint
Edition size: 75
Year: 2000
Size: H 89cm x W 61cm
Signed: Yes
Format: Signed Print
Last Auction: October 2024
Value Trend:
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
TradingFloor
Sylvan (2000), a signed screen print by Bridget Riley, was released in an edition of 75. Although non-representational, composed of the serpentine shapes belonging to Riley's Lozenges series, Sylvan nevertheless generates abstract movement; the viewer traces the many transitions between carnivalesque colours across interlocking forms.
Composed of four colours in interlocking planes, the forms constituting Sylvan are elegant and serpentine, evoking a sense of disembodied movement. This carnival of colours: blue, green, yellow and orange, is redolent of a dance. Colour in this series, like Riley’s other series, is declaratively interactive: each hue seems to change pitch and tone depending on its neighbours. Far removed from Riley’s monochromatic origins, Riley’s Lozenges work sees the abstract artist at her most confident with colour.
Of her work, Riley stated the viewer’s eye “should feel caressed and soothed, experience frictions and ruptures, glide and drift. One moment there will be nothing to look at and the next second the canvas seems to refill, to be crowded with visual events”.
Bridget Riley, a leading figure in the British Op-Art movement, has captivated audiences with her abstract paintings and prints that challenge visual perception. Born in London, 1931, Riley’s artistic journey evolved from semi-Impressionist beginnings to geometric mastery, significantly influencing modern art. Her groundbreaking artworks, from Movement In Squares to the vibrant Stripes series, explore optical phenomena and colour dynamics, creating mesmerising, dizzying effects. With a prolific career spanning over seven decades, Riley’s innovative designs and perceptual disruptions continue to shape contemporary British art, solidifying her enduring influence in the realm of abstract and modern art.