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Sylvan - Signed Print by Bridget Riley 2000 - MyArtBroker

Sylvan
Signed Print

Bridget Riley

£6,000-£9,500Value Indicator

$12,500-$20,000 Value Indicator

$11,000-$18,000 Value Indicator

¥60,000-¥90,000 Value Indicator

€7,000-€11,000 Value Indicator

$60,000-$100,000 Value Indicator

¥1,190,000-¥1,880,000 Value Indicator

$8,000-$13,000 Value Indicator

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89 x 61cm, Edition of 75, Screenprint

Medium: Screenprint

Edition size: 75

Year: 2000

Size: H 89cm x W 61cm

Signed: Yes

Format: Signed Print

Last Auction: October 2024

Value Trend:

12% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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1 for sale
6 in network
2 want this
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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
October 2024
Forum Auctions London
United Kingdom
$7,000
$8,500
$10,500
October 2023
Sotheby's New York
United States
March 2021
Sotheby's London
United Kingdom
December 2020
Tate Ward Auctions
United Kingdom
September 2020
Sotheby's London
United Kingdom
April 2013
Lyon & Turnbull Edinburgh
United Kingdom
September 2011
Skinner, Boston
United States
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Track auction value trend

The value of Bridget Riley's Sylvan (signed) is estimated to be worth between £6,000 and £9,500. This screenprint, created in 2000, has shown consistent value growth, with an average annual growth rate of 12%. This work has an impressive auction history, having been sold 16 times since its initial sale on 19th October 2005. In the last 12 months, the average selling price was £6,500, across 2 sales. Over the past five years, the hammer price has varied from £4,167 in September 2020 to £8,500 in March 2021. The edition size of this artwork is limited to 75.

Created with Highcharts 11.4.8Sep 2011Nov 2013Jan 2016Mar 2018Jun 2020Aug 2022Oct 2024$5,000$6,000$7,000$8,000$9,000$10,000$11,000© MyArtBroker

Meaning & Analysis

Composed of four colours in interlocking planes, the forms constituting Sylvan are elegant and serpentine, evoking a sense of disembodied movement. This carnival of colours: blue, green, yellow and orange, is redolent of a dance. Colour in this series, like Riley’s other series, is declaratively interactive: each hue seems to change pitch and tone depending on its neighbours. Far removed from Riley’s monochromatic origins, Riley’s Lozenges work sees the abstract artist at her most confident with colour.

Of her work, Riley stated the viewer’s eye “should feel caressed and soothed, experience frictions and ruptures, glide and drift. One moment there will be nothing to look at and the next second the canvas seems to refill, to be crowded with visual events”.

  • Bridget Riley, a leading figure in the British Op-Art movement, has captivated audiences with her abstract paintings and prints that challenge visual perception. Born in London, 1931, Riley’s artistic journey evolved from semi-Impressionist beginnings to geometric mastery, significantly influencing modern art. Her groundbreaking artworks, from Movement In Squares to the vibrant Stripes series, explore optical phenomena and colour dynamics, creating mesmerising, dizzying effects. With a prolific career spanning over seven decades, Riley’s innovative designs and perceptual disruptions continue to shape contemporary British art, solidifying her enduring influence in the realm of abstract and modern art.

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