Dog Brains
Dog Brains
Signed Print
Tracey Emin
£650-£1,000
$1,300-$2,000 Value Indicator
$1,150-$1,800 Value Indicator
¥6,000-¥9,000 Value Indicator
€800-€1,200 Value Indicator
$6,500-$10,000 Value Indicator
¥130,000-¥200,000 Value Indicator
$800-$1,250 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Screenprint
Edition size: 300
Year: 2000
Size: H 76cm x W 76cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| November 2023 | Forum Auctions London | United Kingdom | |||
| September 2023 | Bonhams Knightsbridge | United Kingdom | |||
| June 2020 | Bonhams Knightsbridge | United Kingdom | |||
| March 2019 | Forum Auctions London | United Kingdom | |||
| February 2012 | Bonhams Knightsbridge | United Kingdom | |||
| May 2011 | Bonhams Knightsbridge | United Kingdom | |||
| July 2009 | Bonhams Knightsbridge | United Kingdom |
Meaning & Analysis
Dog Brains is a signed screen print produced in 2000 by Tracey Emin from the Nude Self-Portraits collection. Emin draws the viewer in with an expansive blank white background, with her evocative self-portrait loosely sketched in magenta at the centre of the composition. The witty yet disturbing words “Dog Brains” are written out in Emin’s signature handwriting next to the nude figure wearing towering high heels.
A great example of Emin’s seminal Nude Self-Portraits, Dog Brains is just one of some 800 drawings that form an integral part of her body of work. Self-referential, confessional and intensely intimate, Emin has described this particular work as coming from “a series of self-portraits about being drunk”. In her own words, “Dog Brains has got humour. It looks like a bit of a tragic, spindly, pissed figure. I’d want people to feel empathy. I want women to say, “Yeah, I know how that feels.”
Emin’s spindly and tragic self-portrait is therefore not only relatable in its subject matter, but appeals to a primarily female audience through her brutally honest depiction of her drunk self. Famously inspired by Egon Schiele, Emin depicts herself with a spontaneous and fluid use of line, mirroring the dizzying effects of alcohol.
