Move
Move
Signed Print
Tracey Emin
£2,000-£3,000
$3,850-$6,000 Value Indicator
$3,600-$5,500 Value Indicator
¥18,000-¥28,000 Value Indicator
€2,400-€3,600 Value Indicator
$20,000-$30,000 Value Indicator
¥390,000-¥580,000 Value Indicator
$2,600-$3,900 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Etching
Edition size: 50
Year: 2016
Size: H 48cm x W 58cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| August 2024 | Tate Ward Auctions - United Kingdom | Move - Signed Print | |||
| May 2020 | Forum Auctions London - United Kingdom | Move - Signed Print |
Meaning & Analysis
This etching was executed by Tracey Emin in 2016 and forms part of the Nude Self-Portraits collection. Across the centre of the composition, Emin’s nude body is rendered in black ink, with her face completely obscured by expressive mark-making. A few lines delineate the bed and pillow that her body rests on. Above her figure is a wash of black ink, and the negative space created by this wash compliments the feminine curvature of her body.
This intimate reclining nude showcases Emin’s unrelenting study of her own nude form. The bed, liking Emin’s most recognisable and iconic subject, is delineated here in a few fluid lines. A dramatic wash of black ink concentrates the viewer’s attention to the nude at the centre of the composition. As is typical of her Nude Self-Portraits, Emin has scrawled out her own face. Of primary importance to her and this work is the appearance of her feminine form, and the ever-changing way in which Emin viewers her body and the sexual energy it emits.
