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More Margate, More Past - Signed Print by Tracey Emin 2017 - MyArtBroker

More Margate, More Past
Signed Print

Tracey Emin

£1,650-£2,450Value Indicator

$3,400-$5,000 Value Indicator

$3,050-$4,550 Value Indicator

¥16,000-¥24,000 Value Indicator

€1,900-€2,850 Value Indicator

$17,000-$26,000 Value Indicator

¥330,000-¥490,000 Value Indicator

$2,250-$3,300 Value Indicator

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30 x 42cm, Edition of 50, Lithograph

Medium: Lithograph

Edition size: 50

Year: 2017

Size: H 30cm x W 42cm

Signed: Yes

Format: Signed Print

Last Auction: December 2020

Value Trend:

19% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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2 in network
2 want this
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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
December 2020
Forum Auctions London
United Kingdom
$1,100
$1,250
$1,600
March 2018
Forum Auctions London
United Kingdom
November 2017
Sworders
United Kingdom
MyPortfolio
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Track auction value trend

The value of Tracey Emin's More Margate, More Past (signed) is estimated to be worth between £1,650 and £2,450. This lithograph print, created in 2017, has shown consistent value growth since its initial sale in November 2017. This work is part of a limited edition of 50 and has an auction history of three total sales.

Created with Highcharts 11.4.8Nov 2017May 2018Nov 2018Jun 2019Dec 2019Jun 2020Dec 2020$900$1,000$1,100$1,200$1,300$1,400$1,500$1,600© MyArtBroker

Meaning & Analysis

More Margate, More Past plays homage to the seaside town in which Emin grew up - an ode which is also seen in The Golden Mile. The past is cruicial to Emin's work, and this print exhibits her unrelenting connection to the town wher she grew up. In this sparse yet evocative scene, Emin’s naked body languidly reclines on the pavement next to a lamppost, reflecting the honest and forthwright nature that we see repeatedly throughout her work.

  • Tracey Emin, born in 1963, stands as a fearless provocateur in the contemporary art scene. A trailblazer of the Young British Artists (YBA) movement in the late 1980s, the artist has sparked conversation and controversy for decades. Confronting themes of love, trauma and femininity with great vulnerability, Emin's work is a visceral tapestry of her life and has forged an intimate dialogue between artist and audience. In 1999, this raw approach to storytelling won her a nomination to the Turner Prize and, in 2007, it got her a coveted spot as a Royal Academician at the Royal Academy of Arts (RA).

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