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Crane - Signed Print by Tracey Emin 2015 - MyArtBroker

Crane
Signed Print

Tracey Emin

£1,550-£2,300Value Indicator

$3,200-$4,700 Value Indicator

$2,850-$4,250 Value Indicator

¥15,000-¥22,000 Value Indicator

€1,800-€2,650 Value Indicator

$16,000-$24,000 Value Indicator

¥310,000-¥460,000 Value Indicator

$2,100-$3,100 Value Indicator

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39 x 46cm, Edition of 50, Woodcut

Medium: Woodcut

Edition size: 50

Year: 2015

Size: H 39cm x W 46cm

Signed: Yes

Format: Signed Print

Last Auction: November 2023

Value Trend:

11% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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2 in network
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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
November 2023
Tate Ward Auctions
United Kingdom
N/A
N/A
N/A
February 2022
Tate Ward Auctions
United Kingdom
August 2020
Tate Ward Auctions
United Kingdom
July 2019
Tate Ward Auctions
United Kingdom
February 2016
Whyte's
Ireland
September 2015
Bonhams Knightsbridge
United Kingdom
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Track auction value trend

The value of Tracey Emin's Crane (signed) is estimated to be worth between £1,550 and £2,300. This woodcut print, created in 2015, has shown consistent value growth, with an average annual growth rate of 9%. This work has an auction history of five total sales since its initial sale in February 2016. In the last 12 months, the hammer price has ranged from £700 in August 2021 to £1,400 in February 2022. The average return to the seller over the past five years has been £963. This artwork is part of a limited edition of 50.

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Meaning & Analysis

True to her typically playful use of words, Emin chose the title Crane as she pictures herself with one leg thrust vertically in the air like the bird she references. By carving a series of fine lines into her woodblock, Emin carefully delineates her figure with simple yet evocative mark making. By thickly layering black ink onto the woodblock during the printing process, Emin created an ambient interplay between light and texture which is quite unlike her usual style. Crane is an instance of experimentation for Emin, as she reduces her nude form to effortlessly suggestive lines.

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