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Indian View K - Signed Print by Howard Hodgkin 1971 - MyArtBroker

Indian View K
Signed Print

Howard Hodgkin

£900-£1,350Value Indicator

$1,850-$2,800 Value Indicator

$1,650-$2,500 Value Indicator

¥9,000-¥13,000 Value Indicator

€1,050-€1,600 Value Indicator

$9,500-$14,500 Value Indicator

¥180,000-¥260,000 Value Indicator

$1,200-$1,850 Value Indicator

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58 x 78cm, Edition of 75, Screenprint

Medium: Screenprint

Edition size: 75

Year: 1971

Size: H 58cm x W 78cm

Signed: Yes

Format: Signed Print

Last Auction: July 2024

Value Trend:

-3% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
July 2024
Chiswick Auctions
United Kingdom
N/A
N/A
N/A
May 2022
Leland Little Auction & Estate Sales
United States
May 2022
Leland Little Auction & Estate Sales
United States
May 2022
Ivey
Selkirk
November 2021
Shapiro Auctioneers
Australia
June 2020
Swann Galleries
United States
September 2018
Christie's London
United Kingdom
MyPortfolio
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Track auction value trend

The value of Howard Hodgkin's Indian View K (signed) is estimated to be worth between £900 and £1,350. This screenprint, created in 1971, has shown consistent value growth, with an average annual growth rate of 12%. Over the past 12 months, the average selling price was £1,000, with a total of 1 artwork sold. This work has a strong auction history, having been sold 13 times since its entry to the market in July 2007. The hammer price in the last five years has ranged from £408 in May 2022 to £1,209 in June 2020. The edition size of this artwork is limited to 75.

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Meaning & Analysis

In Indian View K, Hodgkin resorts to various shades of one of his preferred colours, green. Against an ivory, pale background, the green frame and composition stand out with incredible vibrancy. The print was created after Hodgkin returned from one of his trips to India, one of Hodgkin’s favourite travel destinations as well as a muse in its own right of the artist’s oeuvre. In this print, Hodgkin sought to evoke the sights he encountered when he was travelling across the country by train. The framed, tiny representation worked to remind viewers of an old-fashioned train window, while the rich and bright colours evoke instead a green and fertile countryside field.

However, while the image may be representational, what mattered most to the artist was that each picture could re-present to himself and to the viewer an emotional state associated with a fixed moment in time, in this case, his travels to India. As Andrew Graham-Nixon noted about Hodgkin’s painterly language: “Hodgkin uses his own, self-created vocabulary of feather-edged bars, blobs, and bands and stripes of colour to create an image meant to exceed the formal nature of its devices, an image that conveys a feeling, and image that lives in the subtle play between its forms and the sudden shaft of reality that it seeks to communicate.”

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