Indian View D
Indian View D
Signed Print
Howard Hodgkin
£550-£850
$1,050-$1,650 Value Indicator
$1,000-$1,550 Value Indicator
¥5,000-¥8,000 Value Indicator
€650-€1,000 Value Indicator
$5,500-$8,500 Value Indicator
¥110,000-¥170,000 Value Indicator
$700-$1,100 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Screenprint
Edition size: 75
Year: 1971
Size: H 58cm x W 78cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| July 2024 | Chiswick Auctions | United Kingdom | |||
| April 2021 | Lyon & Turnbull Edinburgh | United Kingdom | |||
| December 2020 | Chiswick Auctions | United Kingdom | |||
| June 2020 | Link Auction Galleries | United States | |||
| September 2017 | Bonhams Knightsbridge | United Kingdom | |||
| June 2017 | Leland Little Auction & Estate Sales | United States | |||
| November 2010 | Bonhams Knowle | United Kingdom |
Meaning & Analysis
This signed screenprint from 1971 is a rare, limited edition of 75 from Howard Hodgkin’s Indian Views series. The horizontal print shows a simple and abstract representation. The image is dominated by the sharp contrast between a pitch-black frame, and a yellow rectangle, where a neon green patch of colour sits.
Indian View D is one of the few prints in the series where Hodgkin chose a dark colour to frame the image – other images include Indian View G, Indian View J and Indian View L. Whereas works like Indian View A or Indian View B are dominated by soft yellow tones, here the black and neon green create a stark contrast that disrupts the serenity of the image.
Hodgkin liked to say that he painted “representational pictures of emotional situations” and that he liked to use different colours and different colour arrangements to suggest different emotional states connected to a memory. While most of his works in Indian Views are centred around sepias and warm tones that evoke quaint and peaceful recollections, the palette for this work suggests instead that the image sought to suggest feelings of restlessness.
