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Indian View G - Signed Print by Howard Hodgkin 1971 - MyArtBroker

Indian View G
Signed Print

Howard Hodgkin

£450-£700Value Indicator

$900-$1,450 Value Indicator

$850-$1,300 Value Indicator

¥4,350-¥7,000 Value Indicator

550-800 Value Indicator

$4,650-$7,000 Value Indicator

¥90,000-¥130,000 Value Indicator

$600-$950 Value Indicator

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58 x 78cm, Edition of 75, Screenprint

Medium: Screenprint
Edition size: 75
Year: 1971
Size: H 58cm x W 78cm
Signed: Yes
Format: Signed Print
Last Auction: July 2024
Value Trend:
9% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
July 2024
Bonhams Cornette de Saint Cyr
France
£395
£465
£595
December 2023
Forum Auctions London
United Kingdom
October 2023
International Art Centre
New Zealand
May 2022
Leland Little Auction & Estate Sales
United States
September 2017
Bonhams Knightsbridge
United Kingdom
June 2017
Leland Little Auction & Estate Sales
United States
March 2016
Bonhams Knightsbridge
United Kingdom
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Track auction value trend

The value of Howard Hodgkin's Indian View G (signed) is estimated to be worth between £450 and £700. This screenprint has shown consistent value growth, with an average annual growth rate of 9%. This work has an auction history of nine total sales since its entry to the market in June 2006. In the last 12 months, the average selling price was £465, across one total sale. Over the past five years, the hammer price has ranged from £465 in July 2024 to £700 in December 2023. The edition size of this artwork is limited to 75.

Created with Highcharts 11.4.8Mar 2016Aug 2017Dec 2018May 2020Oct 2021Feb 2023Jul 2024£500£600£700£800£900£1,000£1,100© MyArtBroker

Meaning & Analysis

In Indian View G, Hodgkin once again resorts to a dark frame for his image. Here, the small view piercing through the browns and blacks suggests an idyllic image of the countryside blessed by a clear blue sky, or alternatively of a green seaside view.

While the brash brushstrokes of green may suggest that the printing plates were painted in a rush, Hodgkin dedicated long amounts of time to decide what colours he was going to use and how colours should be arranged. In many interviews, the artist repeated that his abstract paintings could take months, sometimes even years, to be finished, because he wanted the colour patterns to capture exactly the feelings he associated with a certain memory. As John McEwan explained in his monography on the artist, “the idea is to put as much as possible, of colour, of feeling, in each picture.” Here, the bright blues and greens work against the brown and black of the frames and evoke instead the peaceful harmony of a day spent surrounded by nature.

  • British artist Howard Hodgkin was a luminary of abstraction. Representing Britain at the 1984 Venice Biennale, winning the Turner Prize in 1985, and knighted in 1992, Hodgkin established a legacy by pushing the boundaries of convention. Indian culture and painting heavily influenced the artist's work, infiltrating it most obviously in his bold colour choices. Evoking the bliss of exotic travels and past memories, Hodgkin's abstract representations provide an intimate insight into his world. The vibrancy of his palette and expression of the brushstrokes distinguished the artist from his contemporaries, seeing him gain international recognition.

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