Indian View A
Indian View A
Signed Print
Howard Hodgkin
£1,050-£1,600
$2,050-$3,100 Value Indicator
$1,900-$2,900 Value Indicator
¥9,500-¥15,000 Value Indicator
€1,250-€1,900 Value Indicator
$10,500-$16,000 Value Indicator
¥200,000-¥310,000 Value Indicator
$1,350-$2,100 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Screenprint
Edition size: 75
Year: 1971
Size: H 58cm x W 77cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| July 2024 | Chiswick Auctions - United Kingdom | Indian View A - Signed Print | |||
| May 2022 | Leland Little Auction & Estate Sales - United States | Indian View A - Signed Print | |||
| May 2022 | Leland Little Auction & Estate Sales - United States | Indian View A - Signed Print | |||
| June 2017 | Leland Little Auction & Estate Sales - United States | Indian View A - Signed Print | |||
| October 2015 | Bonhams Knightsbridge - United Kingdom | Indian View A - Signed Print | |||
| September 2008 | Lyon & Turnbull Edinburgh - United Kingdom | Indian View A - Signed Print | |||
| November 2007 | Christie's London - United Kingdom | Indian View A - Signed Print |
Meaning & Analysis
This signed screenprint from 1971 is a rare, limited edition of 75 from Howard Hodgkin’s Indian Views series. The horizontal print presents to the viewer a delicate and simple abstract representation of concentric yellow rectangles closing in on a hombre blue rectangle.
Indian View A belongs to a series of works, Indian Views, where Hodgkin captured the fleeting memory of his train views as he travelled across the South Asian subcontinent. Indian View A, as the title suggests, was the first image the artist produced upon returning to England – he almost never, in fact, made his artworks in loco, preferring instead to reminisce within the walls of his all-white Bloomsbury studio in London.
While Hodgkin purposefully did not disclose much about the image, leaving it up to the viewer to fantasise about its possible meanings, the blue patch of colour that dominates the image seems to suggest a seaside view as glimpsed from the train.
