Indian View E
Indian View E
Signed Print
Howard Hodgkin
£500-£750
$950-$1,400 Value Indicator
$850-$1,300 Value Indicator
¥4,350-¥6,500 Value Indicator
€550-€850 Value Indicator
$4,950-$7,500 Value Indicator
¥80,000-¥130,000 Value Indicator
$650-$950 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Screenprint
Edition size: 75
Year: 1971
Size: H 78cm x W 58cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| April 2022 | Bonhams Knightsbridge - United Kingdom | Indian View E - Signed Print | |||
| November 2020 | Ivey-Selkirk - United States | Indian View E - Signed Print | |||
| September 2017 | Bonhams Knightsbridge - United Kingdom | Indian View E - Signed Print | |||
| June 2017 | Leland Little Auction & Estate Sales - United States | Indian View E - Signed Print | |||
| June 2017 | Leland Little Auction & Estate Sales - United States | Indian View E - Signed Print | |||
| May 2017 | Doyle New York - United States | Indian View E - Signed Print | |||
| March 2011 | Bonhams Knightsbridge - United Kingdom | Indian View E - Signed Print |
Meaning & Analysis
This signed screenprint from 1971 is a rare, limited edition of 75 from Howard Hodgkin’s Indian Views series. The horizontal print shows a simple and abstract representation. The image is dominated by the small patch of blacks, reds and greens arranged in the form of a cross the centre of the composition, framed by a washed down sepia tone that covers and softens the underlying black.
Hodgkin created Indian View E after his return to the United Kingdom from one of his many, yearly trips in India. The image captures a fleeting view from a train window the artist had throughout his journey. While in many prints of the series Hodgkin uses colour to suggest a certain landscape, here the palette of colours do little to help a visual analysis: maybe a night view of a field? In any case, Hodgkin would resist literal interpretations of his images, and would privilege instead that the viewer focused on the emotional response elicited by the print.
As John McEwen stated: “If some of Hodgkin’s images seem hermetic, encapsulating a meaning known only to the artist, it may be because we look too eagerly for signs of the recognisable rather than allowing the colour and dorm to affect us gradually.”
