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Nopaline - Signed Print by Damien Hirst 2011 - MyArtBroker

Nopaline
Signed Print

Damien Hirst

£6,000-£9,000Value Indicator

$12,500-$19,000 Value Indicator

$11,000-$17,000 Value Indicator

¥60,000-¥90,000 Value Indicator

7,000-10,500 Value Indicator

$60,000-$100,000 Value Indicator

¥1,190,000-¥1,790,000 Value Indicator

$8,000-$12,000 Value Indicator

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53 x 53cm, Edition of 55, Woodcut

Medium: Woodcut
Edition size: 55
Year: 2011
Size: H 53cm x W 53cm
Signed: Yes
Format: Signed Print
Last Auction: May 2023

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
May 2023
SBI Art Auction
Japan
£7,589
£8,928
£10,267
August 2020
Christie's New York
United States
June 2016
Phillips London
United Kingdom
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Track auction value trend

The value of Damien Hirst's Nopaline (signed) is estimated to be worth between £6,000 and £9,000. This woodcut artwork, created in 2011, has shown consistent value growth, with an average annual growth rate of 6%. The hammer price in the last 12 months has ranged from £4,549 in August 2020 to £8,928 in May 2023. This is a rare artwork with an auction history of 3 total sales since its entry to the market in June 2016. The edition size of this artwork is limited to 55.

Created with Highcharts 11.4.8Jun 2016Aug 2017Oct 2018Nov 2019Jan 2021Mar 2022May 2023£5,000£6,000£7,000£8,000£9,000£10,000£11,000© MyArtBroker

Meaning & Analysis

Hirst has said of these works, “To create that structure, to do those colours, and do nothing. I suddenly got what I wanted. It was just a way of pinning down the joy of colour.” This series is representative of the spot paintings that constitute some of Hirst’s most recognisable works. There are over 1000 spot paintings in existence, dating from 1988 to 2011.

The origins of the famous spot paintings are from 1988, when Hirst in the final stages of the Freeze exhibition painted two arrangements of coloured spots onto the wall of the warehouse, titling them Edge and Row respectively. The Freeze exhibition marked a turning point in Hirst’s career where he began to employ assistants to create the spot paintings. This was part of the artist’s aims towards creating works that appeared to have been produced mechanically and without human intervention.

  • Damien Hirst, born in Bristol in 1965, is often hailed the enfant terrible of the contemporary art world. His provocative works challenge conventions and his conceptual brilliance spans installations, paintings, and sculptures, often exploring themes of mortality and the human experience. As a leading figure of the Young British Artists (YBA) movement in the late '80s, Hirst's work has dominated the British art scene for decades and has become renowned for being laced with controversy, thus shaping the dialogue of modern art.

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