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Fenbufen - Signed Print by Damien Hirst 2012 - MyArtBroker

Fenbufen
Signed Print

Damien Hirst

£6,000-£8,500Value Indicator

$12,500-$18,000 Value Indicator

$11,000-$16,000 Value Indicator

¥60,000-¥80,000 Value Indicator

7,000-10,000 Value Indicator

$60,000-$90,000 Value Indicator

¥1,190,000-¥1,690,000 Value Indicator

$8,000-$11,500 Value Indicator

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46 x 46cm, Edition of 55, Woodcut

Medium: Woodcut
Edition size: 55
Year: 2012
Size: H 46cm x W 46cm
Signed: Yes
Format: Signed Print
Last Auction: February 2025

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
February 2025
Christie's New York
United States
£5,022
£5,908
£7,444
October 2022
Sotheby's New York
United States
April 2021
Phillips New York
United States
July 2020
Sotheby's New York
United States
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Track auction value trend

The value of Damien Hirst's Fenbufen (signed) is estimated to be worth between £6,000 and £8,500. This woodcut artwork, created in 2012, has shown consistent value growth, with an average annual growth rate of 7%. This is a rare work with an auction history of 4 total sales since its entry to the market on 28th July 2020. In the last 12 months, the average selling price was £5,908, with a total sales volume of 1. Over the past five years, the hammer price has ranged from £4,635 in July 2020 to £6,913 in October 2022. The average return to the seller during this time has been £4,928. Fenbufen is part of a limited edition of 55.

Created with Highcharts 11.4.8Jul 2020Apr 2021Jan 2022Oct 2022Aug 2023May 2024Feb 2025£4,500£5,000£5,500£6,000£6,500£7,000£7,500£8,000© MyArtBroker

Meaning & Analysis

Fenbufen is a signed woodcut in colours produced by renowned contemporary artist, Damien Hirst. Made in 2012, Fenbufen is part of the artist’s iconic Spots series. The Spots series dates back to 1986, when Hirst hand-painted some loose Spots on board. In this print, Hirst depicts four large spots in a square canvas. The spots are arranged precisely, mimicking the square shape of the canvas, and are rendered in bright red, blue, green and orange. The bold colours used by Hirst reflect the artist’s love for colour and Hirst has described the spot paintings as a means of “pinning down the joy of colour.”

The spots in this woodcut are arranged with meticulous precision and despite the clinical accuracy of their organisation, the bright colours which the spots are rendered in lightens the tone of the print.

The name of the print is derived from a painkiller used to treat muscoskeletal conditions, such as arthritis. Hirst was fascinated with the pharmaceutical industry and often drew inspiration for his artworks from medicines and pharmaceutical packaging. The artist made an installation called The Medicine Cabinets while studying Fine Arts at Goldsmiths in the late 1980s. The iconic piece involved arranging his grandmother’s old medicine packets on the shelves of cabinets and the work was received with critical acclaim.

  • Damien Hirst, born in Bristol in 1965, is often hailed the enfant terrible of the contemporary art world. His provocative works challenge conventions and his conceptual brilliance spans installations, paintings, and sculptures, often exploring themes of mortality and the human experience. As a leading figure of the Young British Artists (YBA) movement in the late '80s, Hirst's work has dominated the British art scene for decades and has become renowned for being laced with controversy, thus shaping the dialogue of modern art.

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