Maltohexaose
Maltohexaose
Signed Print
Damien Hirst
£3,400-£5,000Value Indicator
$7,000-$10,500 Value Indicator
$6,500-$9,000 Value Indicator
¥35,000-¥50,000 Value Indicator
€3,900-€6,000 Value Indicator
$35,000-$50,000 Value Indicator
¥680,000-¥1,000,000 Value Indicator
$4,550-$6,500 Value Indicator
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46 x 46cm, Edition of 55, Woodcut
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
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Meaning & Analysis
Maltohexaose is a woodcut print from Damien Hirst’s 2011 40 Woodcut Spots series. The square composition shows four spots that are identical in size and shape, each depicting a unique colour. Across the artist’s vast oeuvre every spot painting represents a unique combination of colours. The 40 Woodcut Spots series is an exploration of colour and form that is distinctly Hirstian.
The 40 Woodcut Spots series is reminiscent of Hirst’s Pharmaceutical paintings that span across his career and is one of his most prolific works. The titles from this series are taken randomly from the chemical company Sigma-Aldrich’s catalogue ‘Biochemicals for Research and Diagnostic Reagents’ that Hirst first encountered in the early 1990s. The grid formula is integral to the endless potential that Hirst’s spot paintings hold and allow for a rational and precise exploration of colour combinations.
Hirst has said of these works, “To create that structure, to do those colours, and do nothing. I suddenly got what I wanted. It was just a way of pinning down the joy of colour.” There are over 1000 spot paintings in existence, dating from 1988 to 2011, and over the last 24 years Hirst has produced an average of 60 spot paintings a year.
Damien Hirst, born in Bristol in 1965, is often hailed the enfant terrible of the contemporary art world. His provocative works challenge conventions and his conceptual brilliance spans installations, paintings, and sculptures, often exploring themes of mortality and the human experience. As a leading figure of the Young British Artists (YBA) movement in the late '80s, Hirst's work has dominated the British art scene for decades and has become renowned for being laced with controversy, thus shaping the dialogue of modern art.
