Name: Perillartine
Brand: Damien Hirst
Rating: 5 (231 reviews)

Track auction value trend

The value of Damien Hirst’s Perillartine (signed) is estimated to be worth between £4,100 and £6,000. This woodcut print, created in 2011, has shown consistent value growth, with an impressive average annual growth rate of 19%. This work is part of a limited edition of 55 and has an auction history of one sale on 26th October 2023. Over the past five years, the hammer price has ranged from £2,462 in February 2020 to £6,000 in the most recent sale. The average return to the seller is £3,486 and this artwork is a valuable addition to any collection.

Auction Date

Auction House

Location

Hammer Price

Return to Seller

Buyer Paid

October 2023

Phillips New York

United States

Meaning & Analysis

Perillartine is a woodcut print from Damien Hirst’s 40 Woodcut Spots series from 2011. The print shows various coloured spots arranged methodically into four rows of three. Each spot is a different colour and every print in the series represents a unique set of colour combinations.

The 40 Woodcut Spots series is reminiscent of Hirst’s vast series of spot paintings, of which there are over 1000 in existence, dating from 1988 to 2011. The spots represent abstraction reduced to its most basic mechanisms: colour, form and composition. The grid formula for these paintings is the basis for a seemingly infinite series where Hirst can infinitely explore harmonious and contrasting colour combinations.

The titles of each print in the series are based on names of chemical compounds, further emphasising their abstract in their lack of signification of something tangible in the world. The chemical name instead evokes a nondescript powder or pill and there is an incessant endlessness to the series. The circles are printed in flat, block hues and no colour is repeated twice on the same canvas. Hirst in 2000 remarked on the impact of an installation of multiple spot paintings, “it’s an assault on your senses. They grab hold of you and give you a good shaking. As adults, we’re not used to it. It’s an amazing fact that all objects leap beyond their own dimension.”