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Isovanillin - Signed Print by Damien Hirst 2011 - MyArtBroker

Isovanillin
Signed Print

Damien Hirst

£9,500-£14,500Value Indicator

$20,000-$30,000 Value Indicator

$18,000-$27,000 Value Indicator

¥90,000-¥140,000 Value Indicator

11,000-17,000 Value Indicator

$100,000-$150,000 Value Indicator

¥1,890,000-¥2,880,000 Value Indicator

$13,000-$20,000 Value Indicator

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50 x 64cm, Edition of 55, Woodcut

Medium: Woodcut
Edition size: 55
Year: 2011
Size: H 50cm x W 64cm
Signed: Yes
Format: Signed Print
Last Auction: March 2022
Value Trend:
12% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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1 want this
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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
March 2022
Sotheby's Online
United Kingdom
$11,000
$13,000
$16,000
December 2017
Christie's New York
United States
MyPortfolio
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Track auction value trend

The value of Damien Hirst's Isovanillin (signed) is estimated to be worth between £9,500 and £14,500. This woodcut print, created in 2011, has shown consistent value growth, with an average annual growth rate of 12%. This is a rare artwork with an auction history of two sales since its entry to the market in December 2017. The edition size of this artwork is limited to 55.

Created with Highcharts 11.4.8Dec 2017Aug 2018May 2019Jan 2020Oct 2020Jun 2021Mar 2022$8,000$10,000$12,000$14,000$16,000$18,000© MyArtBroker

Meaning & Analysis

When Hirst’s first spot paintings appeared in the Freeze exhibition of 1988, this marked a turning point in the artist’s career where he began to employ assistants to create the spot paintings. As artificial as the chemicals and drugs that the titles take their inspiration from, the spot paintings appear to have been produced mechanically and without human intervention. Despite their deceiving simplicity, these works are laborious and painstaking to produce.

Fascinated by intuitive colour choice from his days at Goldsmiths, Hirst claims that the spot paintings have removed any problems he previously had with colour, allowing him to present a perfect arrangement of colour that is never repeated. Hirst explains that, “mathematically, with the spot paintings, I probably discovered the most fundamentally important thing in any kind of art. Which is the harmony of where colour can exist on its own, interacting with other colours in a perfect format.”

  • Damien Hirst, born in Bristol in 1965, is often hailed the enfant terrible of the contemporary art world. His provocative works challenge conventions and his conceptual brilliance spans installations, paintings, and sculptures, often exploring themes of mortality and the human experience. As a leading figure of the Young British Artists (YBA) movement in the late '80s, Hirst's work has dominated the British art scene for decades and has become renowned for being laced with controversy, thus shaping the dialogue of modern art.

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