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Quinizarin - Signed Print by Damien Hirst 2011 - MyArtBroker

Quinizarin
Signed Print

Damien Hirst

£3,250-£4,900Value Indicator

$6,500-$10,000 Value Indicator

$6,000-$9,000 Value Indicator

¥30,000-¥50,000 Value Indicator

3,750-5,500 Value Indicator

$35,000-$50,000 Value Indicator

¥650,000-¥970,000 Value Indicator

$4,400-$6,500 Value Indicator

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

21 x 51cm, Edition of 55, Woodcut

Medium: Woodcut
Edition size: 55
Year: 2011
Size: H 21cm x W 51cm
Signed: Yes
Format: Signed Print
Last Auction: December 2024
Value Trend:
7% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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1 in network
1 want this
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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
December 2024
Bonhams New Bond Street
United Kingdom
$3,450
$4,100
$5,000
September 2024
Christie's London
United Kingdom
December 2017
Christie's New York
United States
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Track auction value trend

The value of Damien Hirst's Quinizarin (signed) is estimated to be worth between £3,250 and £4,900. Over the past 12 months, the artwork has sold twice, with an average selling price of £3,350. This woodcut print from 2011 has shown consistent value growth, with an auction history of three total sales since its entry to the market in December 2017. The hammer price over the past five years has ranged from £3,200 in December 2024 to £3,500 in October 2024. The average annual growth rate of this work is 7% and it is part of a limited edition of 55.

Created with Highcharts 11.4.8Dec 2017Feb 2019Apr 2020Jun 2021Aug 2022Oct 2023Dec 2024$3,000$3,250$3,500$3,750$4,000$4,250$4,500$4,750$5,000© MyArtBroker

Meaning & Analysis

As with all of the spot paintings that Hirst has produced in his career, this print is formulaic and crisp in form. The spots are a perfect circle and semi-circle set against a clinical white backdrop. Their clean edges and bright, flat colours indicate a lack of human touch in the production of this print. Hirst in fact employed assistants to produce them and the paintings are painstaking and laborious to produce.

Fascinated by intuitive colour choice from his days at Goldsmiths, Hirst claims that the spot paintings have removed any problems he previously had with colour, allowing him to present a perfect arrangement of colour that is never repeated. Hirst explains that, “mathematically, with the spot paintings, I probably discovered the most fundamentally important thing in any kind of art. Which is the harmony of where colour can exist on its own, interacting with other colours in a perfect format.”

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