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Flowers (F. & S. II.68) - Signed Print by Andy Warhol 1970 - MyArtBroker

Flowers (F. & S. II.68)
Signed Print

Andy Warhol

£40,000-£60,000Value Indicator

$80,000-$120,000 Value Indicator

$70,000-$110,000 Value Indicator

¥390,000-¥580,000 Value Indicator

45,000-70,000 Value Indicator

$430,000-$640,000 Value Indicator

¥7,950,000-¥11,920,000 Value Indicator

$50,000-$80,000 Value Indicator

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91 x 91cm, Edition of 250, Screenprint

Medium: Screenprint
Edition size: 250
Year: 1970
Size: H 91cm x W 91cm
Signed: Yes
Format: Signed Print
Last Auction: June 2025
Value Trend:
8% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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1 in network
4 want this
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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
June 2025
Phillips London
United Kingdom
$40,000
$50,000
$60,000
April 2025
Christie's New York
United States
September 2022
Wright
United States
April 2022
Doyle Auctioneers & Appraisers
United States
October 2018
Sotheby's New York
United States
October 2017
Bonhams Los Angeles
United States
December 2014
Ketterer Kunst Hamburg
Germany
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Track auction value trend

The value of Andy Warhol’s Flowers (F. & S. II.68) (signed) is estimated to be worth between £40,000 and £60,000. Over the past 12 months, the average selling price was £43,924, across 2 total sales. In the last five years, the hammer price has ranged from £35,000 in June 2025 to £69,653 in September 2022. This screenprint has shown consistent value growth, with an average annual growth rate of 8%. This work is rare to the market, having been sold 19 times since its initial sale in November 2003. The edition size of this artwork is limited to 250.

Created with Highcharts 11.4.8Dec 2014Sep 2016Jun 2018Mar 2020Dec 2021Sep 2023Jun 2025$30,000$35,000$40,000$45,000$50,000$55,000$60,000$65,000© MyArtBroker

Meaning & Analysis

Reminiscent of Claude Monet’s famous Waterlilies, Warhol does not look to nature for his Flowers series but instead takes inspiration from a 1964 issue of Modern Photography, manipulating a photograph of hibiscus flowers by Patricia Caulfield. Flowers (F. & S. II.68) is an innovative example of appropriation art in Warhol’s extreme alteration of the image and challenge to notions of fine art, originality and authorship. Warhol creates an abstract image by using the screen print technique to flatten colour and form and dramatically heighten the contrast of the original image. Each flower is formed by splashes of florescent pink and yellow, floating over a two-toned pattern of electric green, thus mocking the gestural marks of the Abstract Expressionists.

Warhol’s synthetic colour palette emphasises the man-made quality of the print, reinforced by the mechanical process of screen printing Warhol used to produce the series. By reducing nature to a kitsch saleable commodity that can be mass-produced, Warhol highlights the falsehood of magazine images and questions what constitutes high art.

  • Andy Warhol was a leading figure of the Pop Art movement and is often considered the father of Pop Art. Born in 1928, Warhol allowed cultural references of the 20th century to drive his work. From the depiction of glamorous public figures, such as Marilyn Monroe, to the everyday Campbell’s Soup Can, the artist challenged what was considered art by blurring the boundaries between high art and mass consumerism. Warhol's preferred screen printing technique further reiterated his obsession with mass culture, enabling art to be seen as somewhat of a commodity through the reproduced images in multiple colour ways.

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