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Flowers (F. & S. II.65) - Signed Print by Andy Warhol 1970 - MyArtBroker

Flowers (F. & S. II.65)
Signed Print

Andy Warhol

£35,000-£50,000Value Indicator

$70,000-$100,000 Value Indicator

$60,000-$90,000 Value Indicator

¥340,000-¥490,000 Value Indicator

40,000-60,000 Value Indicator

$370,000-$530,000 Value Indicator

¥6,960,000-¥9,940,000 Value Indicator

$45,000-$70,000 Value Indicator

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91 x 91cm, Edition of 250, Screenprint

Medium: Screenprint
Edition size: 250
Year: 1970
Size: H 91cm x W 91cm
Signed: Yes
Format: Signed Print
Last Auction: June 2023
Value Trend:
7% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

TradingFloor

2 in network
4 want this
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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
June 2023
Swann Galleries
United States
$45,000
$50,000
$60,000
May 2023
SBI Art Auction
Japan
September 2022
Christie's London
United Kingdom
May 2022
Los Angeles Modern Auctions
United States
July 2020
Sotheby's New York
United States
October 2018
Sotheby's New York
United States
April 2016
Sotheby's New York
United States
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Track auction value trend

The value of Andy Warhol’s Flowers (F. & S. II.65) (signed) is estimated to be worth between £35,000 and £50,000. This screenprint has shown consistent value growth, with an average annual growth rate of 7%. This work has an auction history of 17 total sales since its entry to the market in May 2000. In the past 12 months, the hammer price has ranged from £23,173 in July 2020 to £60,554 in May 2023. Over the past five years, the average return to the seller has been £38,909. The edition size of this artwork is limited to 250.

Created with Highcharts 11.4.8Apr 2016Jun 2017Sep 2018Nov 2019Jan 2021Apr 2022Jun 2023$30,000$35,000$40,000$45,000$50,000$55,000$60,000$65,000© MyArtBroker

Meaning & Analysis

The Flowers (F. & S. II.65) print is somewhat menacing in character, despite the light-heartedness of the subject matter. Due to Warhol’s manipulation of colour, the hibiscus flowers display a garish quality and the background of undergrowth is flattened into two contrasting tones of green and light purple. Produced in the years following Warhol’s Death and Disaster paintings, Thirteen Most Wanted Men portraits and the portraits of Jackie Kennedy following the assassination of President John F. Kennedy, the Flowers series is unexpected in its subject matter. Warhol is said to have used the flowers motif as a symbol of purity and fragility amidst widespread violence, his psychedelic colour palette strongly linked to the rise of the Flower Power movement of the 1960s.

In his choice of bright colours and simplified form, Warhol creates an aesthetically pleasing print, however the Flowers series references subversive and subliminal themes surrounding the existence of death in life. Warhol used flowers as symbols of nature’s ephemerality and the fleeting impermanence of beauty. Death was a frequent theme in Warhol’s life and work, as such, alongside images of Jackie Kennedy, Marilyn Monroe, skulls, electric chairs and car crashes, these brightly coloured flowers became the perfect abstract tool to capture the brevity of life on canvas.

  • Andy Warhol was a leading figure of the Pop Art movement and is often considered the father of Pop Art. Born in 1928, Warhol allowed cultural references of the 20th century to drive his work. From the depiction of glamorous public figures, such as Marilyn Monroe, to the everyday Campbell’s Soup Can, the artist challenged what was considered art by blurring the boundaries between high art and mass consumerism. Warhol's preferred screen printing technique further reiterated his obsession with mass culture, enabling art to be seen as somewhat of a commodity through the reproduced images in multiple colour ways.

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