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Flowers (F. & S. II.6) - Signed Print by Andy Warhol 1964 - MyArtBroker

Flowers (F. & S. II.6)
Signed Print

Andy Warhol

£19,000-£29,000Value Indicator

$40,000-$60,000 Value Indicator

$35,000-$50,000 Value Indicator

¥180,000-¥280,000 Value Indicator

22,000-35,000 Value Indicator

$200,000-$310,000 Value Indicator

¥3,780,000-¥5,770,000 Value Indicator

$26,000-$40,000 Value Indicator

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58 x 58cm, Edition of 300, Lithograph

Medium: Lithograph
Edition size: 300
Year: 1964
Size: H 58cm x W 58cm
Signed: Yes
Format: Signed Print
Last Auction: July 2025
Value Trend:
-4% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
July 2025
Drouot
Estimations
$15,000
$18,000
$22,000
July 2025
Drouot
Estimations
June 2025
Rago
United States
May 2025
Doyle Auctioneers & Appraisers
United States
November 2024
Grisebach
Germany
November 2024
Koller Zurich
Switzerland
November 2024
Cottone Auctions
United States
MyPortfolio
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Track auction value trend

The value of Andy Warhol’s Flowers (F. & S. II.6) (signed) is estimated to be worth between £19,000 and £29,000. This lithograph print, created in 1964, has shown consistent value growth, with an average annual growth rate of 3%. Over the past 12 months, the artwork has sold 11 times at an average selling price of £25,265. In the last five years, the hammer price has varied from £7,653 in June 2025 to £66,559 in September 2022. Since its first sale in October 1998, this work has been sold 110 times at auction. The edition size of this artwork is limited to 300.

Created with Highcharts 11.4.8Nov 2024Dec 2024Feb 2025Mar 2025Apr 2025Jun 2025Jul 2025$12,000$14,000$16,000$18,000$20,000$22,000$24,000© MyArtBroker

Meaning & Analysis

Taken from a photograph by Patricia Caulfield found in a 1964 issue of Modern Photography, Warhol deliberately appropriates and repeats the image excessively to mirror the mechanical forms of reproduction found in mass-media that he was so fascinated by. This idea of assembly-line production was reinforced by Warhol’s ‘Factory’ that opened in New York in 1964, where he produced many of his screen prints, noting: “Mechanical means are today and using them I can get more art to more people. Art should be for everyone.”

Flowers (F. & S. 6) reworks the traditional art historical genre of flower painting, by appropriating an image from a magazine and reproducing it in a ‘machine-like’ manner, to challenge ideas of fine art, authorship and creativity. Warhol directly participates in appropriation and image dissemination. Consciously banal and synthetic. He rejects hierarchical compositions in favour of flattened perspective and abolishes complex colour harmonies for monochrome planes of flat colour and artificially bright ink.

  • Andy Warhol was a leading figure of the Pop Art movement and is often considered the father of Pop Art. Born in 1928, Warhol allowed cultural references of the 20th century to drive his work. From the depiction of glamorous public figures, such as Marilyn Monroe, to the everyday Campbell’s Soup Can, the artist challenged what was considered art by blurring the boundaries between high art and mass consumerism. Warhol's preferred screen printing technique further reiterated his obsession with mass culture, enabling art to be seen as somewhat of a commodity through the reproduced images in multiple colour ways.

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