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Flowers (F. & S. II.6) Signed Print
Andy Warhol: Flowers (F. & S. II.6) - Signed Print

Flowers (F. & S. II.6)

Andy Warhol

Flowers (F. & S. II.6) - Signed Print by Andy Warhol 1964 - MyArtBroker

Flowers (F. & S. II.6)
Signed Print

Andy Warhol

£40,000-£60,000

$80,000-$120,000 Value Indicator

$70,000-$110,000 Value Indicator

¥370,000-¥560,000 Value Indicator

€50,000-€70,000 Value Indicator

$400,000-$590,000 Value Indicator

¥7,800,000-¥11,710,000 Value Indicator

$50,000-$80,000 Value Indicator

45% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Medium: Lithograph

Edition size: 300

Year: 1964

Size: H 58cm x W 58cm

Signed: Yes

Format: Signed Print

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10 in network
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Track auction value trend

The value of Andy Warhol’s Flowers (F. & S. II.6) (signed) is estimated to be worth between £40,000 and £60,000. This lithograph print, created in 1964, has shown consistent value growth, with an impressive average annual growth rate of 43%. Over the past 12 months, the artwork has sold 10 times, with an average selling price of £29,484. In the last five years, the hammer price has varied from £14,641 in June 2024 to £66,559 in September 2022. Since its first sale in October 1998, this work has been sold 106 times at auction. The edition size of this artwork is limited to 300.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
November 2024Grisebach Germany
November 2024Koller Zurich Switzerland
November 2024Cottone Auctions United States
October 2024Phillips New York United States
October 2024Rago United States
September 2024Leslie Hindman Auctioneers, Chicago United States
September 2024Sotheby's London United Kingdom

Meaning & Analysis

This signed print from 1964 is a limited edition of 300 from Andy Warhol’s Flowers series. Using vivid hues of pink and orange, Warhol deliberately rotates and misaligns the screen print ink that overlays the original photographic image of four hibiscus flowers against a background of undergrowth.

Taken from a photograph by Patricia Caulfield found in a 1964 issue of Modern Photography, Warhol deliberately appropriates and repeats the image excessively to mirror the mechanical forms of reproduction found in mass-media that he was so fascinated by. This idea of assembly-line production was reinforced by Warhol’s ‘Factory’ that opened in New York in 1964, where he produced many of his screen prints, noting: “Mechanical means are today and using them I can get more art to more people. Art should be for everyone.”

Flowers (F. & S. 6) reworks the traditional art historical genre of flower painting, by appropriating an image from a magazine and reproducing it in a ‘machine-like’ manner, to challenge ideas of fine art, authorship and creativity. Warhol directly participates in appropriation and image dissemination. Consciously banal and synthetic. He rejects hierarchical compositions in favour of flattened perspective and abolishes complex colour harmonies for monochrome planes of flat colour and artificially bright ink.

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