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Flowers (F. & S. II.70) Signed Print

Andy Warhol: Flowers (F. & S. II.70) - Signed Print

Flowers (F. & S. II.70)

Flowers (F. & S. II.70) - Signed Print by Andy Warhol 1970 - MyArtBroker

Flowers (F. & S. II.70)
Signed Print

Andy Warhol

£35,000-£50,000

$70,000-$100,000 Value Indicator

$60,000-$90,000 Value Indicator

¥320,000-¥460,000 Value Indicator

€40,000-€60,000 Value Indicator

$350,000-$500,000 Value Indicator

¥6,920,000-¥9,890,000 Value Indicator

$45,000-$60,000 Value Indicator

9% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Medium: Screenprint

Edition size: 250

Year: 1970

Size: H 91cm x W 91cm

Signed: Yes

Format: Signed Print

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The value of Andy Warhol’s Flowers (F. & S. II.70) is estimated to be worth between £35,000 and £50,000. This signed screenprint, created in 1970, has shown consistent value growth, with an average annual growth rate of 9%. This work has an auction history of 17 total sales since its entry to the market in May 2002. In the last 12 months, the average selling price was £39,643, across 3 total sales. Over the past five years, the hammer price has ranged from £33,819 in October 2024 to £51,511 in May 2023. The edition size of this artwork is limited to 250.

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Auction Results

Auction Date	Auction House	Artwork	Hammer Price	Return to Seller	Buyer Paid
October 2024	Christie's Amsterdam - Netherlands	Flowers (F. & S. II.70) - Signed Print
November 2023	Van Ham Fine Art Auctions - Germany	Flowers (F. & S. II.70) - Signed Print
October 2023	Christie's New York - United States	Flowers (F. & S. II.70) - Signed Print
May 2023	Bonhams New York - United States	Flowers (F. & S. II.70) - Signed Print
December 2020	Koller Zurich - Switzerland	Flowers (F. & S. II.70) - Signed Print
December 2018	Sotheby's New York - United States	Flowers (F. & S. II.70) - Signed Print
October 2018	Sotheby's New York - United States	Flowers (F. & S. II.70) - Signed Print

Meaning & Analysis

The screen print Flowers (F. & S. II.70), from Andy Warhol’s Flowers series (1970), shows the artist’s famous flower motif, rotated, rendered in this print with soft yellow, orange and green hues against a starkly contrasted, pink grass background. With the Flowers series, Warhol exhibits his unrivalled skill in the screen print process by using the same photographic motif for each print and rendering it in a multitude of variations of colour and composition.

Taken from a photograph by Patricia Caulfield found in a 1964 issue of Modern Photography, Warhol deliberately appropriates and repeats the image excessively to mirror the mechanical forms of reproduction found in mass-media that he was so fascinated by. This idea of assembly-line production was reinforced by Warhol’s ‘Factory’ that opened in New York in 1964, where he produced many of his screen prints, noting: “Mechanical means are today and using them I can get more art to more people. Art should be for everyone.”

Flowers (F. & S.II.70) reworks the traditional art historical genre of flower painting, by appropriating an image from a magazine and reproducing it in a ‘machine-like’ manner, to challenge ideas of fine art, authorship and creativity. Warhol directly participates in appropriation and image dissemination. Consciously banal and synthetic. He rejects hierarchical compositions in favour of flattened perspective and abolishes complex colour harmonies for monochrome planes of flat colour and artificially bright ink.

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Read more about Andy Warhol Prints & Editions

read more about Flowers

Read more about Andy Warhol Prints & Editions

Andy Warhol was a leading figure of the Pop Art movement and is often considered the father of Pop Art. Born in 1928, Warhol allowed cultural references of the 20th century to drive his work. From the depiction of glamorous public figures, such as Marilyn Monroe, to the everyday Campbell’s Soup Can, the artist challenged what was considered art by blurring the boundaries between high art and mass consumerism. Warhol's preferred screen printing technique further reiterated his obsession with mass culture, enabling art to be seen as somewhat of a commodity through the reproduced images in multiple colour ways.

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