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Flowers (F. & S. II.67) - Signed Print by Andy Warhol 1970 - MyArtBroker

Flowers (F. & S. II.67)
Signed Print

Andy Warhol

£40,000-£60,000Value Indicator

$80,000-$120,000 Value Indicator

$70,000-$110,000 Value Indicator

¥390,000-¥580,000 Value Indicator

45,000-70,000 Value Indicator

$430,000-$640,000 Value Indicator

¥7,950,000-¥11,920,000 Value Indicator

$50,000-$80,000 Value Indicator

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91 x 91cm, Edition of 250, Screenprint

Medium: Screenprint
Edition size: 250
Year: 1970
Size: H 91cm x W 91cm
Signed: Yes
Format: Signed Print
Last Auction: April 2025
Value Trend:
11% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
April 2025
Bukowskis, Stockholm
Sweden
$45,000
$60,000
$70,000
September 2024
Christie's Amsterdam
Netherlands
June 2024
Rago
United States
April 2024
Phillips New York
United States
January 2024
SBI Art Auction
Japan
April 2021
Phillips New York
United States
January 2021
Phillips London
United Kingdom
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Track auction value trend

The value of Andy Warhol’s Flowers (F. & S. II.67) (signed) is estimated to be worth between £40,000 and £60,000. This screenprint has shown consistent value growth, with an average annual growth rate of 11%. This is a popular artwork, having been sold 18 times at auction since its initial sale in October 1998. In the last 12 months, the average selling price was £47,045, across a total of 2 sales. The hammer price over the past five years has ranged from £28,000 in January 2021 to £53,110 in January 2024. The edition size of this artwork is limited to 250.

Created with Highcharts 11.4.8Jan 2021Sep 2021Jun 2022Mar 2023Nov 2023Jul 2024Apr 2025$40,000$45,000$50,000$55,000$60,000$65,000$70,000© MyArtBroker

Meaning & Analysis

This work shows the artist’s famous flower motif, rotated, rendered in this print with soft pink and yellow hues against a starkly contrasted grass background. With the Flowers series, Warhol exhibits his unrivalled skill in the screen print process by using the same photographic motif for each print and rendering it in a multitude of variations of colour and composition.

Taken from a photograph by Patricia Caulfield found in a 1964 issue of Modern Photography, Warhol deliberately appropriates and repeats the image excessively to mirror the mechanical forms of reproduction found in mass-media that he was so fascinated by. This idea of assembly-line production was reinforced by Warhol’s ‘Factory’ that opened in New York in 1964, where he produced many of his screen prints, noting: “Mechanical means are today and using them I can get more art to more people. Art should be for everyone.”

Flowers (F. & S.II.67) reworks the traditional art historical genre of flower painting, by appropriating an image from a magazine and reproducing it in a ‘machine-like’ manner, to challenge ideas of fine art, authorship and creativity. Warhol directly participates in appropriation and image dissemination. Consciously banal and synthetic. He rejects hierarchical compositions in favour of flattened perspective and abolishes complex colour harmonies for monochrome planes of flat colour and artificially bright ink.

  • Andy Warhol was a leading figure of the Pop Art movement and is often considered the father of Pop Art. Born in 1928, Warhol allowed cultural references of the 20th century to drive his work. From the depiction of glamorous public figures, such as Marilyn Monroe, to the everyday Campbell’s Soup Can, the artist challenged what was considered art by blurring the boundaries between high art and mass consumerism. Warhol's preferred screen printing technique further reiterated his obsession with mass culture, enabling art to be seen as somewhat of a commodity through the reproduced images in multiple colour ways.

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