Palm And Window
Palm And Window
Signed Print
Howard Hodgkin
£9,000-£13,000
$18,000-$26,000 Value Indicator
$16,000-$23,000 Value Indicator
¥80,000-¥120,000 Value Indicator
€11,000-€16,000 Value Indicator
$90,000-$130,000 Value Indicator
¥1,780,000-¥2,560,000 Value Indicator
$11,500-$17,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Etching
Edition size: 55
Year: 1990
Size: H 150cm x W 120cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| January 2023 | Phillips London - United Kingdom | Palm And Window - Signed Print | |||
| April 2019 | Christie's London - United Kingdom | Palm And Window - Signed Print | |||
| March 2018 | Christie's London - United Kingdom | Palm And Window - Signed Print | |||
| October 2017 | Sotheby's Online - United Kingdom | Palm And Window - Signed Print | |||
| September 2013 | Skinner, Boston - United States | Palm And Window - Signed Print | |||
| March 2012 | Sotheby's Online - United Kingdom | Palm And Window - Signed Print | |||
| October 2010 | Christie's New York - United States | Palm And Window - Signed Print |
Meaning & Analysis
This signed etching from 1990 is a rare, limited edition of 55 from Howard Hodgkin’s Palms series. The vertical print presents to the viewer a beautiful and simple representation of a palm tree, painted in a faint green, and a blue window, against the backdrop of a dark green background.
Palm And Window is one of the latest prints of the Palm series. While Hodgkin drew for this image from the commercial and advertising vocabulary of A. M. Cassandre, the print has also a very intimate quality to it. This intimacy is perhaps the result of the window, that locates the image within the realm of a personal memory or recollection of the artist. As Andrew Graham-Dixon claimed in regards to Hodgkin’s works:
“Hodgkin demonstrates the transporting capacities of painting, its provision of an alternate world of artifice… things can be distilled to their essences, rendered down to glorious code: six swipes of green for a palm tree. The picture can be made out as a representation – in fact it is fairly literal – but it far exceeds its representational brief.”
