£650-£950
$1,250-$1,850 Value Indicator
$1,150-$1,700 Value Indicator
¥6,000-¥9,000 Value Indicator
€800-€1,150 Value Indicator
$6,500-$9,500 Value Indicator
¥130,000-¥190,000 Value Indicator
$850-$1,250 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
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Medium: Lithograph
Year: 2015
Size: H 76cm x W 24cm
Signed: Yes
Format: Signed Print
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Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
---|---|---|---|---|---|
October 2023 | Chiswick Auctions - United Kingdom | Standing Figure (red) - Signed Print | |||
June 2023 | Tate Ward Auctions - United Kingdom | Standing Figure (red) - Signed Print | |||
November 2021 | Tate Ward Auctions - United Kingdom | Standing Figure (red) - Signed Print | |||
November 2021 | Chiswick Auctions - United Kingdom | Standing Figure (red) - Signed Print | |||
October 2021 | Sworders - United Kingdom | Standing Figure (red) - Signed Print | |||
September 2021 | Tate Ward Auctions - United Kingdom | Standing Figure (red) - Signed Print | |||
July 2019 | Forum Auctions London - United Kingdom | Standing Figure (red) - Signed Print |
Standing Figure (red) is a signed offset lithograph printed in red, black and white, produced in 2015 by street artist Stik. In the piece, the artist’s six-line stickman stands at a slight angle, glancing apprehensively to the left and is characteristic of his oeuvre.
Stik's figures are characterised by a six-line frame and featureless faces on the one hand, and on the other hand, they have a lifelike quality to them. There is a sense of movement under the surface of the print; the artist's lines are never totally straight, and the characters' stare and discomfort suggest a busy or unsettling scene taking place beyond the frame. In Standing Figure, the stickman's stance reflects his uneasiness and anxiousness; he poses awkwardly as if he needs to restore his balance or take a deep breath before moving forward.
It is possible to see Standing Figure as a demonstration of how Stik's minimalist approach is densely packed with meaning and inexorably linked to its urban context. The six-line Stik man has taken on a considerably greater importance than Stik had initially intended, having come to represent the experience of isolation and insecurity that can result from living in a marginalising urban environment.