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Cathedral 3 - Signed Print by Roy Lichtenstein 1969 - MyArtBroker

Cathedral 3
Signed Print

Roy Lichtenstein

£8,500-£13,000Value Indicator

$18,000-$27,000 Value Indicator

$16,000-$24,000 Value Indicator

¥80,000-¥130,000 Value Indicator

€10,000-€15,000 Value Indicator

$90,000-$140,000 Value Indicator

¥1,690,000-¥2,580,000 Value Indicator

$11,500-$18,000 Value Indicator

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123 x 82cm, Edition of 75, Lithograph

Medium: Lithograph

Edition size: 75

Year: 1969

Size: H 123cm x W 82cm

Signed: Yes

Format: Signed Print

Last Auction: October 2017

Value Trend:

10% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
October 2017
Bonhams Los Angeles
United States
$6,500
$7,500
$9,000
April 2017
Bonhams Los Angeles
United States
October 2012
Bonhams San Francisco
United States
October 2010
Bonhams San Francisco
United States
October 2009
Christie's New York
United States
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Roy Lichtenstein's Cathedral 3, a signed lithograph from 1969, is estimated to be worth between £8,500 and £13,000. This is a rare artwork with an auction history of five total sales since its entry to the market on 28th October 2009. The current average annual growth rate is not available. The edition size of this artwork is limited to 75.

Created with Highcharts 11.4.8Oct 2009Feb 2011Jun 2012Oct 2013Feb 2015Jun 2016Oct 2017$5,000$6,000$7,000$8,000$9,000$10,000© MyArtBroker

Meaning & Analysis

In this series, Lichtenstein is increasingly thoughtful about his place in art history, and the implications his appropriations will have on future generations of artists. He has chosen to rework a series based on a series, producing a sequence of prints that virtually resemble magnifications of a reproduction.

Dark blue Ben Day dots make up the composition of Cathedral 3. Similar toCathedral 1, Lichtenstein is here leaving room for the white background to peek through between the dots, allowing for the contours of the cathedral to assemble.

Although the two series resemble each other in wanting to highlight the act of seeing over the subject matter, there is one essential difference. Lichtenstein’s primary emphasis rests on revising mass reproduction techniques in his prints. Therefore, Monet’s cathedral paintings function as art historical footnotes for him. Lichtenstein demonstrates how images of art become common property and are codified for public consumption through various media like advertising and printing.