The World's Largest Modern & Contemporary Prints & Editions Platform
Cathedral 1 - Signed Print by Roy Lichtenstein 1969 - MyArtBroker

Cathedral 1
Signed Print

Roy Lichtenstein

Price data unavailable

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

123 x 83cm, Edition of 75, Planographic print

Medium: Planographic print

Edition size: 75

Year: 1969

Size: H 123cm x W 83cm

Signed: Yes

Format: Signed Print

Last Auction: March 2019

TradingFloor

1 in network
1 want this
Find out how Buying or Selling works.

Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
March 2019
Cottone Auctions
United States
N/A
N/A
N/A
April 2017
Sotheby's New York
United States
January 2017
Lempertz, Cologne
Germany
October 2014
Sotheby's New York
United States
September 2010
Aspire Auctions
United States
January 1969
Lempertz, Cologne
Germany
MyPortfolio
Auction Table Image
Unlock access to our full history of auction results
400+International auction houses tracked
30+Years of auction data
We are passionate about selling art, not data. We will never share or sell your information without your permission.

Track auction value trend

The value of Roy Lichtenstein’s Cathedral 1 (signed) is estimated to be worth between £6,000 and £9,000. This planographic print from 1969 is a rare artwork with an auction history of five total sales since its entry to the market on 23rd September 2010. The edition size of this artwork is limited to 75.

Created with Highcharts 11.4.8© MyArtBroker

Meaning & Analysis

Monet captured the cathedral at various points of the day, in order to illustrate the temporal movement of light reflected against its architecture. His rhythmic impressionist brushwork makes a close predecessor to Lichtenstein's trademark use of Ben Day dots.

While Monet’s repetition sought to reaffirm the singularity of the Rouen Cathedral, Lichtenstein’s depiction of the monument in Cathedral 1 mechanises the subject matter. The image is refined into uniform light yellow dots, bringing the observer’s attention to the act of seeing over what is portrayed.

The artist utilises a particular planographic printing process in this work, in addition to his usual combination of lithography and screen print. As opposed to a raised surface or incised surface, the image of Cathedral 1 is built on an entirely flat plane. The desired areas are treated with a greasy substance, like tusche, which is a liquidised carbon pigment. As a result, certain parts of the surface will reject the ink, while others will be more receptive to it during the printing phase.