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International Youth Year - Signed Print by Keith Haring 1985 - MyArtBroker

International Youth Year
Signed Print

Keith Haring

£8,000-£12,000Value Indicator

$17,000-$25,000 Value Indicator

$15,000-$22,000 Value Indicator

¥80,000-¥120,000 Value Indicator

€9,500-€14,000 Value Indicator

$80,000-$130,000 Value Indicator

¥1,560,000-¥2,350,000 Value Indicator

$10,500-$16,000 Value Indicator

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28 x 22cm, Edition of 1000, Lithograph

Medium: Lithograph

Edition size: 1000

Year: 1985

Size: H 28cm x W 22cm

Signed: Yes

Format: Signed Print

Last Auction: April 2025

Value Trend:

7% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
April 2025
Wright
United States
N/A
N/A
N/A
March 2025
Forum Auctions London
United Kingdom
February 2025
Alderfer Auction
United States
September 2024
Los Angeles Modern Auctions
United States
August 2024
Wright
United States
January 2024
Phillips London
United Kingdom
November 2023
Doyle Auctioneers & Appraisers
United States
MyPortfolio
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Track auction value trend

The value of Keith Haring's International Youth Year (signed) is estimated to be worth between £8,000 and £12,000. This lithograph print, created in 1985, has shown consistent value growth, with an average annual growth rate of 7%. Over the past 12 months, the artwork has sold 8 times, with an average selling price of £7,057. In the last five years, the hammer price has varied from £2,715 in November 2021 to £11,000 in January 2023. This work has an auction history of 68 total sales since its entry to the market in February 2015. The edition size of this artwork is limited to 1,000.

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Meaning & Analysis

International Youth Year was an initiative by the UN that held activities all over the world, focusing attention on issues concerning and relating to young people everywhere. It is particularly apt that Haring was chosen to design this poster due to his vivacious and playful style that appealed to young people, exclusively using bold outlines, simplified shapes and bright, flattened colours.

Haring was tireless in his work with children of all ages and backgrounds, collaborating on murals with young people in America’s poorest inner cities and holding numerous drawing workshops. Upholding a world view that rendered racial, cultural and sexual differences immaterial, Haring admired children for their sense of innocence claiming, ‘Children are colour-blind and still free of all the complications, greed and hatred that will slowly be instilled in them.’ Haring’s ageless and genderless figures, as seen in International Youth Year are indicative of this worldview that the artist promoted.