Red Yellow Black White
Red Yellow Black White
Signed Print
Julian Opie
£14,500-£21,000
$29,000-$40,000 Value Indicator
$26,000-$40,000 Value Indicator
¥130,000-¥190,000 Value Indicator
€18,000-€25,000 Value Indicator
$140,000-$210,000 Value Indicator
¥2,830,000-¥4,100,000 Value Indicator
$18,000-$27,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Lenticular
Edition size: 25
Year: 2020
Size: H 111cm x W 119cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| October 2023 | Phillips New York | United States | |||
| June 2021 | Phillips London | United Kingdom | |||
| September 2020 | Phillips London | United Kingdom |
Meaning & Analysis
Red Yellow Black White is a lenticular panel from Julian Opie’s Standing People series from 2020. The work shows four full-length figures, each standing in a casual manner as though waiting for a bus and facing outwards to the viewer. Each figure is depicted in a different colour, as indicated by the title of the work.
Red Yellow Black White is representative of Opie’s skill in striking a balance between the realism of fine art and the eye-catching elements of graphic design. The artist combines the vernacular of everyday life with his highly stylised visual language, using bold lines and bright, saturated colours. Despite his abstract style, Opie considers himself to be a realist who works outside of metaphors noting that, “reality is a complex construction that is built from experience.”
Using lenticular technology as a key component to this work, Opie produces a moving image that shows the figures making small movements such as folding their arms. Opie has demonstrated a keen interest in movement and animation throughout his career, often using movement as a form of realism and to create dynamic images of modern life. Combined with photographic realism, the use of the moving image in this print functions to create an uncanniness that toes the line between representation and reality.
