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143 x 110cm, Screenprint
Medium: Screenprint
Year: 2012
Size: H 143cm x W 110cm
Signed: Yes
Format: Signed Print
Last Auction: November 2015
TradingFloor
This Is Where It’s Fuckin At (hand-finished) is a 2012 screenprint by Harland Miller, featuring his signature reinterpretation of Penguin book covers. This hand-finished piece showcases Miller's blend of Pop Art and Abstract Expressionism, and reflects the artist's witty commentary on literature and culture.
This Is Where It’s Fuckin At (hand-finished) reflects Miller's distinctive use of language and visual culture. Drawing on the familiar format of a vintage Penguin paperback, the piece pairs worn, muted tones with a blunt, attention-grabbing title - part declaration, part challenge. The typography is set against a distressed background, evoking the physicality of well-thumbed books while anchoring the work in a broader conversation about modern identity and cultural commentary. Like much of his work, This Is Where It’s Fuckin At uses irony and provocation not just for impact, but to invite reflection on the way language shapes meaning. By reworking a familiar publishing icon with his own sardonic twist, Miller prompts viewers to think about nostalgia, authorship, and the shifting role of literature in contemporary life.
British artist, Harland Miller, is renowned for his irreverent reimagining of vintage Penguin book jackets. Playing with nostalgia, cultural, and literary references, the artist combines Pop Art motifs with the brushstrokes of Abstract Expressionism. Miller's paintings and prints are often imbued with dark humour, with works such as You Can Rely On Me I'll Always Let You Down being characterised by an undercurrent of satire and self-depreciation. Exploring the relationship between word and image has undoubtedly allowed Miller's art to comment on the frequent disconnect between representation and reality, and influence artists such as The Connor Brothers in their practice.