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Two Blues - Signed Print by Bridget Riley 2003 - MyArtBroker

Two Blues
Signed Print

Bridget Riley

£6,500-£9,500Value Indicator

$13,500-$19,000 Value Indicator

$12,000-$17,000 Value Indicator

¥60,000-¥90,000 Value Indicator

€7,500-€11,000 Value Indicator

$70,000-$100,000 Value Indicator

¥1,290,000-¥1,880,000 Value Indicator

$8,500-$13,000 Value Indicator

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38 x 38cm, Edition of 250, Screenprint

Medium: Screenprint

Edition size: 250

Year: 2003

Size: H 38cm x W 38cm

Signed: Yes

Format: Signed Print

Last Auction: February 2025

Value Trend:

14% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

TradingFloor

3 in network
6 want this
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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
February 2025
Rago
United States
$7,500
$9,000
$11,500
December 2024
Clars Auction Gallery
United States
October 2024
Adam's
Ireland
October 2024
Christie's London
United Kingdom
October 2024
Sworders
United Kingdom
September 2024
Whyte's
Ireland
September 2024
Bonhams New Bond Street
United Kingdom
MyPortfolio
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Track auction value trend

The value of Bridget Riley's Two Blues (signed) is estimated to be worth between £6,500 and £9,500. Over the past 12 months, the artwork has sold 7 times with an average selling price of £5,420. Two Blues has shown consistent value growth, with an impressive average annual growth rate of 14%. This screenprint has a strong auction history, having been sold 23 times since its initial sale in September 2009. The edition size of this artwork is limited to 250.

Created with Highcharts 11.4.8Sep 2024Oct 2024Nov 2024Nov 2024Dec 2024Jan 2025Feb 2025$7,000$8,000$9,000$10,000$11,000$12,000$13,000© MyArtBroker

Meaning & Analysis

As the title alludes, this print is composed of two hues of blue, interspersed with segments of white, which highlight the lighter of the two tones. After the great success of Riley’s Stripes series of works, she sought new challenges. The result of her subsequent investigations was the creation of a lively, dynamic new form: a patch of colour, similar in shape to a brush mark, free from any associations with the square, stripe or other conventional, geometric forms. This shape, continuously refined and developed over the years, created an opportunity for a unique melding of form and colour.

Riley utilises the curvaceous shape to create a sense of energy and movement in her work, by building up complex layers of vertical and diagonal planes. Overall, Riley’s oeuvre is a complex, in-depth study of colour and form, and the effects produced when the two are interwoven: the joys and dynamism created by their co-mingling.

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