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Going Across - Signed Print by Bridget Riley 2001 - MyArtBroker

Going Across
Signed Print

Bridget Riley

£5,000-£8,000Value Indicator

$10,500-$17,000 Value Indicator

$9,500-$15,000 Value Indicator

¥50,000-¥80,000 Value Indicator

6,000-9,500 Value Indicator

$50,000-$80,000 Value Indicator

¥970,000-¥1,560,000 Value Indicator

$7,000-$11,000 Value Indicator

10% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Medium: Screenprint

Edition size: 90

Year: 2001

Size: H 42cm x W 73cm

Signed: Yes

Format: Signed Print

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Track auction value trend

The value of Bridget Riley's Going Across (signed) is estimated to be worth between £5,000 and £8,000. This screenprint, created in 2001, has shown consistent value growth, with an average annual growth rate of 10%. This work has an impressive auction history, having been sold 11 times at auction since its initial sale on 4th December 2003. In the last 12 months, the average selling price was £5,350, across 2 total sales. Over the past five years, the hammer price has ranged from £4,200 in December 2024 to £9,000 in March 2021. The edition size of this artwork is limited to 90.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
December 2024Forum Auctions London United Kingdom
December 2024Bonhams New Bond Street United Kingdom
October 2023Van Ham Fine Art Auctions Germany
April 2022Phillips New York United States
March 2022Sotheby's Online United Kingdom
March 2021Sotheby's London United Kingdom
September 2018Christie's London United Kingdom

Meaning & Analysis

Riley’s carefully planned structure in Going Across ensures that the figure/ground relationship between the colours remains ambiguous. The segmented colours overlap in such a way that it is possible to read both colours alternately as figure and ground. The shapes themselves recall the outlines of leaves or petals. Despite being non-representational, Riley has previously expressed her great love for nature and the influence this exerts over her artistic production. Hence, the artist’s forms suggest shapes and rhythms found in the natural world.

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