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Teddy Roosevelt (F. & S. II.386) - Signed Print by Andy Warhol 1986 - MyArtBroker

Teddy Roosevelt (F. & S. II.386)
Signed Print

Andy Warhol

£70,000-£100,000Value Indicator

$140,000-$210,000 Value Indicator

$130,000-$180,000 Value Indicator

¥680,000-¥970,000 Value Indicator

80,000-120,000 Value Indicator

$750,000-$1,070,000 Value Indicator

¥13,920,000-¥19,880,000 Value Indicator

$90,000-$140,000 Value Indicator

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91 x 92cm, Edition of 250, Screenprint

Medium: Screenprint
Edition size: 250
Year: 1986
Size: H 91cm x W 92cm
Signed: Yes
Format: Signed Print
Last Auction: October 2024
Value Trend:
52% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

TradingFloor

7 in network
4 want this
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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
October 2024
Lone Star Art Auction
United States
£62,444
£73,463
£73,463
July 2024
Coeur d’Alene Art Auction
United States
September 2022
Leslie Hindman Auctioneers, Chicago
United States
November 2021
Ivey
Selkirk
May 2021
Bonhams New York
United States
March 2018
Sotheby's London
United Kingdom
September 2017
Sotheby's Online
United Kingdom
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Track auction value trend

The value of Andy Warhol’s Teddy Roosevelt (F. & S. II.386) (signed) is estimated to be worth between £70,000 and £100,000. This screenprint has shown consistent value growth, with an impressive average annual growth rate of 52%. Over the past 12 months, the work has sold twice, with an average selling price of £110,562. This artwork has a strong auction history, having been sold 15 times since its initial sale in October 2008. The edition size of this piece is limited to 250.

Created with Highcharts 11.4.8Sep 2017Nov 2018Jan 2020Mar 2021Jun 2022Aug 2023Oct 2024£40,000£45,000£50,000£55,000£60,000£65,000£70,000£75,000© MyArtBroker

Meaning & Analysis

Warhol colours Roosevelt’s face in a black and grey with contours of red so as to subvert this quintessential image of the American hero into a piece of Pop Art. Using his celebrated screen print method, Warhol leaves the imperfections in colour and looseness in line that give the print a lively feel. Set against a plain white backdrop, thus removing the image’s historical context, just like with other prints in the series, Warhol brings this image of Roosevelt into the context of 1980s popular culture that the artist was seeking to criticise.

By including romanticised images of Native Americans alongside portraits of figures like Roosevelt, Warhol confronts the viewers with themes like exploitation, war, power and ownership. Rendered in a flattened style and unique combinations of vibrant hues, the characters in the Cowboys And Indians series are made out to be fictionalised characters from the imaginary ‘Wild West’, as perpetuated by the mechanism of fame in popular culture.

  • Andy Warhol was a leading figure of the Pop Art movement and is often considered the father of Pop Art. Born in 1928, Warhol allowed cultural references of the 20th century to drive his work. From the depiction of glamorous public figures, such as Marilyn Monroe, to the everyday Campbell’s Soup Can, the artist challenged what was considered art by blurring the boundaries between high art and mass consumerism. Warhol's preferred screen printing technique further reiterated his obsession with mass culture, enabling art to be seen as somewhat of a commodity through the reproduced images in multiple colour ways.

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