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Lovers (blue) - Signed Print by Stik 2011 - MyArtBroker

Lovers (blue)
Signed Print

Stik

£16,000-£25,000Value Indicator

$35,000-$50,000 Value Indicator

$30,000-$45,000 Value Indicator

¥160,000-¥240,000 Value Indicator

19,000-29,000 Value Indicator

$170,000-$270,000 Value Indicator

¥3,180,000-¥4,980,000 Value Indicator

$22,000-$35,000 Value Indicator

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106 x 51cm, Edition of 50, Screenprint

Medium: Screenprint
Edition size: 50
Year: 2011
Size: H 106cm x W 51cm
Signed: Yes
Format: Signed Print
Last Auction: September 2019
Value Trend:
-6% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

TradingFloor

5 in network
10 want this
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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
September 2019
Phillips London
United Kingdom
£17,000
£20,000
£25,000
October 2016
Christie's London
United Kingdom
MyPortfolio
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Track auction value trend

The value of Stik’s Lovers (blue) (signed), a screenprint from 2011, is estimated to be worth between £16,000 and £24,000. This is a rare artwork with an auction history of two sales since its entry to the market on 27th October 2016. The current owner of this piece has the opportunity to be part of its value growth, with an average annual growth rate of 14%. This artwork is part of a limited edition of 50.

Created with Highcharts 11.4.8Oct 2016Apr 2017Oct 2017Mar 2018Sep 2018Mar 2019Sep 2019£15,000£17,500£20,000£22,500£25,000£27,500© MyArtBroker

Meaning & Analysis

Much like the two figures in Holding Hands, the Stik people of this print are decidedly ungendered. Stik has remarked: “Maybe they’re androgynous men? No, they’re Stik People, but Stik People just doesn’t sound right. Everyone calls them Stik Men. I think gender is a really big part of my work though”.

Themes of gender and sexuality have  long had a strong presence in the artist’s work, and have coincided with direct engagement with the LGBTQ+ community: in 2016 an early version of Holding Hands was used on placards paraded at Hackney Pride.

In Lovers, the vulnerable figures find refuge in an embrace instead of looking nervously out to the wider world, which is the typical stance of the artist’s figures, exemplified in prints like The Big Issue and Walk. On the contrary, Lovers directly engages Stik’s notion of the essential human need for connection. Here, the stickmen find it within the frame rather than seeking community beyond.

  • London-based street artist, Stik, is celebrated for his distinctive and minimalistic style. By solely using simple, stick-figures, Stik is able to convey profound messages through his work and advocate for marginalised social communities. Inclusivity and resilience underpin his iconic stick-figure motif, with the likes of Liberty and Single Mum promoting empathy and human connection. Having been homeless when starting out as a graffiti artist, Stik developed an affinity to the Hackney community who helped him find his feet, and he now sees his street art as a way to give back to those who helped him.

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