Sol Lewitt Art for Sale: Prints & Originals

Sol LeWitt, a pioneer of Conceptual and Minimalist Art, stands as a leading figure in the redefinition of art in the latter half of the 20th century. His influence stems from his innovative ideas about the creation and conception of art, redefining the role of the artist and the object in the artistic process.

Born in Hartford, Connecticut, in 1928, LeWitt attended the School of Visual Arts in New York City, where he developed his distinctive conceptual approach. LeWitt's early education and encounters with the burgeoning New York art scene significantly shaped his methodologies.

LeWitt's emphasis on the primacy of the idea over execution was foundational in the Conceptual Art movement. His Wall Drawings and Modular Structures exemplify his innovation, encouraging a participatory creation process and redefining the boundaries of artistic authorship.

LeWitt's artistic development was marked by a series of phases that defined his evolving ideas. In the 1960s, he began to explore the potential of Wall Drawing, a medium that would become synonymous with his name. These drawings, executed directly on the wall according to a set of instructions devised by LeWitt, questioned traditional notions of artistic authorship. The execution could be carried out by anyone following his precise guidelines, exemplifying his belief that the idea behind the artwork held more significance than the finished piece itself. Key works from this period, such as Wall Drawing #1136 (2004), highlight the ambition and complexity of his conceptual premise.

Collaboration was significant in shaping LeWitt’s artistic language. Interactions with fellow artists like Dan Flavin, Robert Ryman, and Eva Hesse shaped his intellectual and aesthetic pursuits. LeWitt championed a new way of understanding art's creation and perception. His theoretical writings, particularly Paragraphs on Conceptual Art, provided a manifesto for the movement, articulating his philosophy that the idea or concept is the most crucial aspect of an artwork.

Throughout his career, LeWitt participated in numerous major exhibitions, including a seminal retrospective at the Museum of Modern Art in 1978. His achievements were recognised through prestigious awards and the presence of his work in public collections worldwide. LeWitt's modular structures, characterised by their geometric forms and systematic construction, further explored themes of seriality and the separation of idea from execution.

Characterised by his conceptual approach, LeWitt emphasised the concept over the artefact, redefining the relationship between art and its audience. By encouraging the participatory installation process of his work, LeWitt decentred the artist’s position in the creation process and emphasised the importance of the artwork’s idea.

LeWitt's innovative contribution to the art world is marked by his iconic Wall Drawings, which he began creating in the late 1960s. These works are a testament to his belief in the separation of the artistic idea from its execution. LeWitt provided others with instructions for creating these pieces, thus the resulting artwork can vary depending on who interprets the instructions. This innovative approach redefined the role of the artist and questioned the permanence of art, as the wall drawings can be painted over or recreated elsewhere.
One of LeWitt's notable contributions to sculpture is his creation of ‘structures’, a term he preferred over ‘sculptures’. These works are characterised by their geometric forms and modular construction, embodying LeWitt's fascination with seriality and the systematic approach to art-making. His structures are based on open, interlocking cubic forms, which he explored exhaustively throughout his career. By using a limited range of forms - essentially variations on the cube - LeWitt aimed to remove any trace of narrative or expressive elements, focusing instead on the physical qualities of the shapes and the process of their arrangement.
In the 1980s, following a trip to Italy, Sol LeWitt began exploring the use of gouache, an opaque water-based paint, to create vibrant, free-flowing abstract works. This marked a significant departure from his earlier, more structured geometric compositions, as he personally executed these pieces by hand. LeWitt's gouaches often appeared in series, each titled according to specific motifs such as Irregular Forms, Parallel Curves, Squiggly Brushstrokes, and Web-like Grids. Despite the shift in medium and style, these works remained true to his conceptual principles. LeWitt meticulously transformed his gouache paintings into prints. The exhibition Sol LeWitt: Works on Paper 1983-2003, curated by Heidi Lee Komaromi in 2012, showcased the diverse techniques he employed in his later years, highlighting his continual innovation in art.