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Georges
Braque

Georges Braque redefined art with pioneering papier collé and Cubist innovations, reshaping the visual language of the 20th century. If you’re looking for Georges Braque original prints and editions for sale or would like to sell, request a complimentary valuation and browse our network’s most in-demand works.

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Biography

Born in 1882 in Argenteuil, France, Braque emerged as a seminal figure in the evolution of 20th-century art. His early years were marked by a deep appreciation for the visual arts, resulting in formal training as a painter in Paris. It was during this time that he encountered the works of the Impressionists and Fauvists, which would eventually inform his approach to ideate a new art movement. Braque's early works showcased his mastery of traditional techniques, but it was his exposure to the groundbreaking ideas of Cubism, co-developed with Pablo Picasso, that ignited his work.

Together, Picasso and Braque dismantled conventional notions of perspective, form, and representation, giving birth to Analytical Cubism. This movement was characterised by the deconstruction of objects and scenes into geometric shapes and facets, challenging the viewer's perception. Braque's works from this period, such as Violin And Candlestick, would later evolve, introducing collage techniques and venturing into sculpture.

One of the most transformative moments in Braque's career was his development of papier collé, a technique he pioneered in 1912. This method involved incorporating pasted paper fragments into his paintings, adding a tactile and conceptual dimension to his work. It was a watershed moment that expanded the possibilities of artistic expression.

Braque's trajectory was also influenced by his brief yet impactful engagement with Surrealism during the 1920s. Collaborating with Surrealist poet André Breton, Braque's works from this period melded Cubist techniques with dreamlike and fantastical elements. This fusion offered a fresh perspective on his work, demonstrating his adaptability and versatility as an artist.

Following World War I, Braque's style underwent a notable evolution, embracing a greater sense of freedom and departing from his previously rigid compositions. His ascent to fame took a significant leap in 1922, thanks to a prominent exhibition held at the Salon d'Automne in Paris. By the mid-1920s, Braque ventured into design, contributing his vision to two Sergei Diaghilev ballet productions. A milestone in his career arrived in 1933 with a significant retrospective exhibition hosted at the Kunsthalle Basel.

 Paysage à la Ciotat by Georges Braque - Sotheby's

Image © Sotheby's / Paysage à la Ciotat © Georges Braque 1907

1. £10.2M for Georges Braque's Paysage à la Ciotat

Paysage à la Ciotat (1907) is a key work from Braque's early Fauvist period, showcasing vibrant colours and an expressive portrayal of the French landscape. Reflecting the emotional and instinctive approach of Fauvism, this painting highlights Braque's mastery of colour and composition. Its swirling greens, purples, and yellows evoke a dreamlike atmosphere while maintaining the distinct elements of the landscape. This work set an auction record for Braque, fetching £10.18 million at Sotheby's in May 2013.

Le Guéridon by Georges Braque - Christie's

Image © Christie's / Le Guéridon © Georges Braque 1911

2. £7.8M for Georges Braque's Le Guéridon

Braque's brief yet impactful Fauvist period gave way to his pioneering work in Cubism, heavily influenced by his collaboration with Picasso. Le Guéridon (1911) is a quintessential Cubist piece from this period, blending Braque's personal artistic tools with abstract forms, symbolising his evolving artistic identity. The vibrant tubes of paint add a touch of mystery against the muted palette. This works prestigious provenance and unique details contributed to its significant sale of £7.8 million at Christie's in May 2017, highlighting its historical and artistic significance.

Mandoline à la partition (Le Banjo) by Georges Braque - Christie's

Image © Christie's / Mandoline à la partition (Le Banjo) © Georges Braque 1941

3. £7.1M for Georges Braque's Mandoline à la partition (Le Banjo)

During the 1940s, marked by the turmoil of war, Braque gained widespread recognition as he transitioned from Cubism to a unique visual style. He combined interior spaces with still-life elements, creating compositions rich in texture and pattern. Mandoline à la partition (Le Banjo) (1941) exemplifies this period, depicting a banjo atop a red tablecloth against a backdrop of vivid patterns in purple and green. The work, infused with energy, resonated during challenging times and achieved just over £7 million at Christie's in May 2016, underscoring its lasting appeal and cultural significance.

La bouteille de Bass by Georges Braque - Phillips

Image © Phillips / La bouteille de Bass © Georges Braque 1911-12