Haystack #4
Haystack #4
Signed Print
Roy Lichtenstein
£9,000-£13,500Value Indicator
$18,000-$28,000 Value Indicator
$17,000-$25,000 Value Indicator
¥90,000-¥130,000 Value Indicator
€10,500-€16,000 Value Indicator
$100,000-$140,000 Value Indicator
¥1,790,000-¥2,680,000 Value Indicator
$12,000-$18,000 Value Indicator
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34 x 60cm, Edition of 100, Planographic print
Medium: Planographic print
Edition size: 100
Year: 1969
Size: H 34cm x W 60cm
Signed: Yes
Format: Signed Print
Last Auction: March 2024
Value Trend:
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Meaning & Analysis
Roy Lichtenstein’s 1969 Haystack series is a colourful interpretation of French impressionist Claude Monet’s Haystack paintings of 1891. The small loose brushstrokes characterising Monet’s paintings are in this series substituted by calculated Ben Day dots.
The exactness of these hand-painted dots differs greatly from the unfinished and spontaneous qualities of impressionist brushwork. Their static quality stands in stark contrast to Impressionism’s aim to evoke a feeling of movement. The resulting images present a post-war, comic book aesthetic, which is consistent with modernism’s emphasis on flat picture planes.
Similar to Haystack #3, Haystack #4 manipulates its colour scheme progressively, making its red and blue pattern appear dark purple when considered from a distance. Monet used light and colour to create dramatic alterations in the depictions of his haystacks. Lichtenstein on the other hand minimises light and relies entirely on colours, abstracting the image so much that it becomes obscured. Alluding to the passing of time, Haystack #4 applies dark pigments to portray the stack of harvest at nighttime.
The schematic forms and bright colours characterising the prints in this series seek to redefine the idolised status of their source material. The Haystacks highlight the role seriality has had in past creations, while also proving its significance for contemporary artistic exploration.
Roy Lichtenstein, born in New York, 1923, is a seminal figure in the Pop Art movement, renowned for his comic book and advertisement-inspired artworks. His transformative journey from classical painter to Pop Art pioneer began with his iconic piece, Look Mickey, marking the fusion of painting with pop culture. Lichtenstein’s works, including Whaam!, Drowning Girl, and Crying Girl, blend parody and satire, challenging the boundaries between popular culture and ‘high art’. With over 5,000 pieces to his name, Lichtenstein’s enduring influence resonates in contemporary art, his works celebrated in prestigious institutions worldwide.
