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Haystack #3 - Signed Print by Roy Lichtenstein 1969 - MyArtBroker

Haystack #3
Signed Print

Roy Lichtenstein

£7,000-£10,500Value Indicator

$14,500-$22,000 Value Indicator

$13,000-$19,000 Value Indicator

¥70,000-¥100,000 Value Indicator

€8,000-€12,000 Value Indicator

$70,000-$110,000 Value Indicator

¥1,390,000-¥2,080,000 Value Indicator

$9,500-$14,000 Value Indicator

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34 x 60cm, Edition of 100, Planographic print

Medium: Planographic print

Edition size: 100

Year: 1969

Size: H 34cm x W 60cm

Signed: Yes

Format: Signed Print

Last Auction: October 2024

Value Trend:

-2% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
October 2024
Christie's New York
United States
£5,239
£6,164
£7,767
March 2024
John Moran Auctioneers
United States
December 2022
Palm Beach Modern Auctions
United States
September 2022
Wright
United States
January 2020
Forum Auctions London
United Kingdom
October 2019
Bonhams Los Angeles
United States
June 2018
Bonhams New Bond Street
United Kingdom
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Roy Lichtenstein's Haystack #3 (signed), a planographic print from 1969, is currently estimated to be worth between £7,000 and £10,500. This artwork has an auction history of 12 total sales since its entry to the market in October 2008. Over the past 12 months, the average selling price was £6,164, across one total sale. In the last five years, the hammer price has varied from £6,164 in October 2024 to £11,771 in September 2022. The average annual growth rate of this work is 4%. The edition size of this artwork is limited to 100.

Created with Highcharts 11.4.8Jun 2018Jul 2019Jul 2020Aug 2021Sep 2022Sep 2023Oct 2024£4,500£5,000£5,500£6,000£6,500£7,000£7,500£8,000© MyArtBroker

Meaning & Analysis

Lichtenstein’s Haystacks consider the authenticity attributed to Claude Monet’s natural imagery of the early 1900s. The artist renders the haystack motif through the means of mechanical reproduction, translating it into his own cartoon style visual language. The Haystack prints exhibit images that are in essence purer than their source material, seeing as they are controlled through their medium of commercial design.

The hand-painted Ben Day dots crowding the surface of Haystack #3 are spaced differently, sometimes overlapping in order to create different colours and tones. Up close, it is clear that the print applies a colour palette composed of black and white. However, when regarded from a distance, the overall composition plays on the senses, making the cluster of dots appear grey. Lichtenstein here aims to parallel the transient light depicted by Monet’s lush brushstrokes, presenting Haystack #3 as a portrayal of harvest in the late hours of the afternoon.