Haystack 6, State III
Haystack 6, State III
Signed Print
Roy Lichtenstein
£11,000-£16,000
$21,000-$30,000 Value Indicator
$20,000-$29,000 Value Indicator
¥100,000-¥150,000 Value Indicator
€13,000-€19,000 Value Indicator
$110,000-$160,000 Value Indicator
¥2,140,000-¥3,120,000 Value Indicator
$14,500-$21,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Lithograph
Edition size: 13
Year: 1969
Size: H 34cm x W 60cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| October 2019 | Freeman's - United States | Haystack 6, State III - Signed Print |
Meaning & Analysis
Roy Lichtenstein’s Haystack series was inspired by French impressionist Claude Monet’s influential Haystack paintings of the early 1900s. Lichtenstein created his Haystacks in 1969, the same year he finalised his masterful Cathedral series, which draws on Monet’s portrayal of the Rouen Cathedral.
The Haystack series highlights the role seriality has had in past creations, while also proving its significance for contemporary artistic exploration. The static and flat quality of Lichtenstein’s Ben Day dots stand in stark contrast to Impressionism’s aim to evoke a feeling of movement, conveying a distinctly modernist perspective.
Ultimately, the Haystacks primarily ridicule the convention dictating that mechanical reproduction stands in opposition to originality. The schematic forms and bright colours characterising the prints in this series seek to redefine the authenticity attributed to their source material.
