Bull III
Bull III
Signed Mixed Media
Roy Lichtenstein
£10,500-£16,000
$20,000-$30,000 Value Indicator
$19,000-$29,000 Value Indicator
¥100,000-¥150,000 Value Indicator
€12,500-€19,000 Value Indicator
$110,000-$160,000 Value Indicator
¥2,050,000-¥3,130,000 Value Indicator
$13,500-$21,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Mixed Media
Edition size: 100
Year: 1973
Size: H 68cm x W 81cm
Signed: Yes
Format: Signed Mixed Media
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Auction Results
| Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| Sotheby's Online - United Kingdom | Bull III - Signed Mixed Media | ||||
| March 2024 | Bonhams New York - United States | Bull III - Signed Mixed Media | |||
| October 2023 | Christie's New York - United States | Bull III - Signed Mixed Media | |||
| September 2015 | Cornette de Saint Cyr Paris - France | Bull III - Signed Mixed Media | |||
| April 2014 | Christie's New York - United States | Bull III - Signed Mixed Media | |||
| March 2012 | Sotheby's London - United Kingdom | Bull III - Signed Mixed Media |
Meaning & Analysis
Bulls series by Roy Lichtenstein, an outstanding figure of Pop Art, is a composition of six prints created in 1973. The Bull Profile series is manufactured through different media, showing the development of printing techniques as well as the transformation of art forms. Building on the art historical heritage of his predecessors, Pablo Picasso among others, Lichtenstein based the prints in this series on preconceived drawings and preparatory collages.
All prints in the sequence represent a bull, but the manner of representation differs, mapping a gradual shift from figuration to abstraction. Bull III is right in the middle of the sequence, signifying the first formal move towards simplification. The playful composition lacks shading, making the lines seem ambiguous and fluctuating. The portrayed elements expand further than the centre of the canvas, contrary to the layout of Bull I and Bull II.
The canvas is divided into three semi-geometrical sections. The animal is still recognizable, but his figurative characteristics are less dominant on account of the colouring. The shape has been rendered in the solid primary colours frequently employed by Lichtenstein; red and yellow. Bull III also bears the artistic mark of Lichtenstein’s comic book style, though the main geometric elements follow a curved, rather than mechanical, outline.
