Industry And The Arts II
Industry And The Arts II
Signed Print
Roy Lichtenstein
£13,500-£20,000
$27,000-$40,000 Value Indicator
$24,000-$35,000 Value Indicator
¥120,000-¥180,000 Value Indicator
€16,000-€24,000 Value Indicator
$130,000-$190,000 Value Indicator
¥2,570,000-¥3,810,000 Value Indicator
$16,000-$24,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Screenprint
Edition size: 250
Year: 1969
Size: H 44cm x W 36cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| Colasanti Auction House | Italy | ||||
| September 2023 | Christie's London | United Kingdom | |||
| March 2023 | Sotheby's Online | United Kingdom | |||
| March 2023 | Sotheby's Online | United Kingdom | |||
| January 2023 | Lama | United States | |||
| December 2022 | Martini Studio d'Arte | Italy | |||
| June 2021 | Wright | United States |
Meaning & Analysis
Roy Lichtenstein’s 1969 print Industry And The Arts II mimics the emblematic signage used in newspapers and comic strips. Employing the same strident colours and precise printing techniques, Industry And The Arts II is identical to Industry and the Arts I. Therefore, this print too reflects the trivialisation of culture in societies increasingly dominated by mass production.
The canvas is divided in two by an oblique line running across it from one corner to the other. Lichtenstein portrays two supposedly separate worlds, illustrating the dual objectives domineering contemporary living. The top left triangle shows the standard image of industrial enterprises and the bottom right the enduring influence of the arts. In this print, Lictenstein aims to ironically integrate industrial sentiments with symbolic references of cultural heritage.
The vivid and contrastive red and yellow colour scheme used to depict culture stands in stark contrast to the bleakness of the grey, blue and silver representing mass-production. However, Lichtenstein inserts similar shapes into his composition, creating formalistic parallels between the two disparate worlds. For instance, the upper half of a metallic factory wheel is completed by the lower part of a brightly illustrated flower.
Essentially, Industry And The Arts II is also a portrayal of Lichtenstein’s main purpose as an artist, uniting fine art sources with commercial design elements on the same canvas.