Ib
Signed Print
Lucian Freud
£5,500-£8,500
$10,500-$16,000 Value Indicator
$9,500-$14,500 Value Indicator
¥50,000-¥70,000 Value Indicator
€6,500-€9,500 Value Indicator
$50,000-$80,000 Value Indicator
¥930,000-¥1,430,000 Value Indicator
$7,000-$10,500 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Etching
Edition size: 50
Year: 1984
Size: H 57cm x W 53cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| June 2022 | Wright - United States | Ib - Signed Print | |||
| September 2015 | Sotheby's London - United Kingdom | Ib - Signed Print | |||
| April 2014 | Phillips New York - United States | Ib - Signed Print | |||
| April 2014 | Bonhams San Francisco - United States | Ib - Signed Print | |||
| October 2011 | Phillips New York - United States | Ib - Signed Print |
Meaning & Analysis
Lucian Freud created this etching of his daughter, Isobel ("Ib") Boyt, in 1984 when the sitter was 23-years-old. True to his innovative use of composition, Freud focuses primarily on Ib's face, which leans into the centre of the composition from the lower left-hand corner. Through sweeping motions of the etching needle, Freud delineates the wispy hair of his sitter, and her relaxed features. By hatching more intensely around the profile of her portrait, Freud gives the impression of Ib's shadow on the surface she rests her head on.
Isobel ("Ib") Boyt, daughter to Freud and Suzy Boyt, is one of the artist's children who returned to sit for her father throughout his career. However, as Ib herself has remarked, this was sometimes done reluctantly: "Each time I did a picture with him I swore I'd never do it again, but then I do because it is a way of having a relationship with my dad as well as there is a part of me that if he wants to paint me I am quite flattered." Given his reputation as maverick artist and salacious womaniser, it is no suprise that Freud was a somewhat distant father. However, when his children gave him the opportunity to paint, etch, and simply observe them, Freud revealed the unbreakable bond between them in spite of their tensions.
Ib is the product of a year-long project between Freud and his daughter. The composition of the etching is strikingly similar to a painted rendition titled Head Of Ib, executed 1983-84. Ib presents us with the mirror-image of the painting, but focuses solely on her monochrome portrait, rather than detailing her surroundings. Freud is well-known for the lengthy sitting process he subjected his models to, and would often create etchings after a painting because he had become so familiar with the sitter's appearance and behaviour. Like the painting that inspired this etching, Ib portrays the sitter with her eyes barely open as though on the brink of sleep. Even though the pair certainly had a difficult relationship at times, Ib reveals the peculiar intimacy realised under the gaze of Freud, who observed her as both artist and father.
